An intelligent and deeply political set of poems.

SWERVE

POEMS ON ENVIRONMENTALISM, FEMINISM, AND RESISTANCE

Akers, a poet of the California coast, writes of life on the brink of ecological collapse in her newest collection.

This short book of poetry is centered on a particular verb—“swerve,” a sudden change in direction that, Akers writes, smells “astringent, like the wind off the sea.” The poet mourns an unexpected loss—“When I was born I thought I’d be taken from the earth / I didn’t think the earth would be taken from me.” It’s a loss that’s been legislated by incompetent presidents, greedy senators, and other powerful people who refuse to prevent it, her poems assert. She approaches her grief like a naturalist, carefully naming again and again what her speakers long to conserve: “scud,” “bracken,” “clubmoss,” “cormorant.” And more: “I call the shapes of leaves: spatulate, cordate, pinnate, lanceolate.” Further, Akers knows intimately what threatens the beauty that her speakers hope to protect: “I know the names of the machines that cut down the forest: / feller buncher, shovel logger, tower yarder, stroke delimber, skidder.” Knowing and naming all parts of a moral universe is part of Akers’ obsessive, intelligent effort to trace the elemental origins of the world. Money is not money but “green rectangles made from trees,” longing “for the forest it came from.” Overall, these poems aren’t as brilliant as Akers’ earlier work, but although they’re world-weary, they’re not without hope; they also include records of the small, successful acts that resist environmental decline: “I remember the moment when a river that used to catch fire / turned from flammable to swimmable.” Akers dedicates the last parts of the book to organized resistance and the possibility of swerving back from disaster. Aside from the clumsy bluntness of the title, “#MeToo: Women in Touch with Their Anger” is an impressive and moving reinterpretation of the fairy tales of the Brothers Grimm, praising defiance rather than compliance. Resistance is personal for these women who protect themselves and the Earth from abusive people.

An intelligent and deeply political set of poems.

Pub Date: Jan. 24, 2020

ISBN: 978-1-4218-3640-9

Page Count: 74

Publisher: Blue Light Press

Review Posted Online: April 3, 2020

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A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

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PEOPLE WE MEET ON VACATION

A travel writer has one last shot at reconnecting with the best friend she just might be in love with.

Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

Pub Date: May 11, 2021

ISBN: 978-1-9848-0675-8

Page Count: 384

Publisher: Berkley

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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Light on suspense but still a solid page-turner.

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THE LAST THING HE TOLD ME

When a devoted husband and father disappears, his wife and daughter set out to find him.

Hannah Hall is deeply in love with her husband of one year, Owen Michaels. She’s also determined to win over his 16-year-old daughter, Bailey, who has made it very clear that she’s not thrilled with her new stepmother. Despite the drama, the family is mostly a happy one. They live in a lovely houseboat in Sausalito; Hannah is a woodturner whose handmade furniture brings in high-dollar clientele; and Owen works for The Shop, a successful tech firm. Their lives are shattered, however, when Hannah receives a note saying “Protect her” and can’t reach Owen by phone. Then there’s the bag full of cash Bailey finds in her school locker and the shocking news that The Shop’s CEO has been taken into custody. Hannah learns that the FBI has been investigating the firm for about a year regarding some hot new software they took to market before it was fully functional, falsifying their financial statements. Hannah refuses to believe her husband is involved in the fraud, and a U.S. marshal assigned to the case claims Owen isn’t a suspect. Hannah doesn’t know whom to trust, though, and she and Bailey resolve to root out the clues that might lead to Owen. They must also learn to trust one another. Hannah’s narrative alternates past and present, detailing her early days with Owen alongside her current hunt for him, and author Dave throws in a touch of danger and a few surprises. But what really drives the story is the evolving nature of Hannah and Bailey’s relationship, which is by turns poignant and frustrating but always realistic.

Light on suspense but still a solid page-turner.

Pub Date: May 4, 2021

ISBN: 978-1-5011-7134-5

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Feb. 10, 2021

Kirkus Reviews Issue: March 1, 2021

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