Rhyming verse relates a sentimental tale about how everyone in a neighborhood learns to enjoy the quiet on a dark Christmas Eve after a power failure.
One neighborhood in Medford Town is known as Christmas Block because all the houses are completely covered in lights and Christmas decorations. But one Christmas, when the lights are switched on, a blackout begins on Christmas Block and then spreads around the world. A little girl from Christmas Block points out the newly bright stars, which are then appreciated by all. The people remember: “See, all it took on Christmas night / to guide three kings was one star’s light.” The following year the people on Christmas Block light only one candle as their sole decoration. The text is based on Paul’s song of the same name (available for download from the publisher’s website). While it may work with a guitar accompaniment on a stage, as a picture-book text, the rhyme is seriously flawed and not up to basic standards of poetry. The rhyme scheme changes midway through the story, many lines do not have consistent rhythm, and all too many terminal rhymes are either forced or not-quite-rhymes—or both. Illustrations in deep jewel tones with glowing Christmas lights use a double-page-spread format that gives Christmas Block a solid visual presence with the excitement of the holiday in the air, but they cannot compensate for the text’s inadequacies.
The illustrations try to illuminate the story, but the substandard verse makes the lights go out on this effort. (Picture book. 4-7)Pub Date: Oct. 1, 2015
ISBN: 978-0-8075-4543-0
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 12, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS
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The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 17, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS
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Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 11, 2022
Kirkus Reviews Issue: June 1, 2022
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS
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