by Elmore Leonard ‧ RELEASE DATE: Feb. 9, 1999
Nine years after his farcical conquest of Hollywood in Get Shorty, former loan shark Chili Palmer aims to scale equally unlikely new heights as a music producer. As you’d expect, it all happens more or less by accident. Stung by the failure of Get Lost, the sequel to his triumphant debut, Get Leo, Chili’s not sure what story will put him back on top of Hollywood’s greasy pole. Should his comeback film be about a rocker like Linda Moon, a singer who works for a dating service, or about a record producer like Chili’s acquaintance Tommy Athens? The decision gets complicated when Tommy is executed in the middle of a power lunch with Chili, and when Chili tells Raji, the pimplike manager of Linda’s girl group, that Linda is suddenly free to reconvene her old band Odessa (“AC/DC meets Patsy Cline”) because Chili himself will be managing her from now on. In short order, then, Chili’s getting serious homicidal attention from the outraged Raji, his gay Samoan bodyguard, and the shooter who took out Tommy Athens—all helping to explain the dead man in Chili’s living room. (Raji’s hit man, chagrined at having zapped another hit man by mistake, aptly observes that people are lining up to kill this guy.) A lesser executive would be toast. But not Chili, with his unshakeable confidence and his would-be killers’ boundless capacity for self-delusion: he tells one assassin he’ll get him a screen test, manufactures for a second the tale of a scam only Chili can straighten out, and puts himself in the middle of a deal a third needs to clinch before he can murder Chili. As the corpses who aren’t Chili pile up, Leonard (Cuba Libre, 1998, etc.) tosses off a dozen new spins on Get Shorty’s gorgeous premise—that nobody can run the entertainment industry as well as a low-level mobster armed with Leonard’s endless stream of wisecracks—to produce a good-natured thriller as relaxing as it is exhilarating.
Pub Date: Feb. 9, 1999
ISBN: 0-385-33391-9
Page Count: 304
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
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BOOK REVIEW
BOOK REVIEW
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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