Perfect for readers who like high wigs and low stakes.
A young woman with a nervous disposition draws the attention of a duke looking for a wife.
Although Viola Astley's stepfather, the Duke of Lindow, loves her and claims her as his daughter, society doesn’t accept her as a proper lady. This judgement magnifies her own feelings of inadequacy; she knows she doesn’t quite fit in with the rest of the Wildes, her stepfather’s raucous and rambunctious family. Viola wishes she could stay at home with her pet crow and cows instead of running the gauntlet of society functions that make her feel ill and vomit. When Viola’s stepsister Joan learns of her deep-seated fears, Joan tells her to have confidence in herself as a “Wilde Child.” Bolstered by this single pep talk, Viola miraculously sheds years of crippling social anxiety and decides to pursue her interest in a handsome young vicar. However, her plans for a late-night meeting are thwarted by Devin Lucas Augustus Elstan, Duke of Wynter. Devin has decided it’s time to marry and has his eye on Joan, the “real” Wilde daughter on the marriage mart. After Viola spars with Devin, he realizes that perhaps she's the right match for him after all. Their courtship progresses without conflict and will please readers looking for high heat and low angst. Lavish descriptions of clothing and hairstyles are more fully developed than the characters—or their romance. The lack of conflict makes the late-stage misunderstandings and confessions seem silly and manufactured. A subplot about whether or not medieval cycle plays based on Bible stories are appropriate fare for Christian audiences might be interesting to some readers, but it’s so divorced from the main romance arc that others might view it as filler.
Perfect for readers who like high wigs and low stakes.Pub Date: May 19, 2020
ISBN: 978-0-06-287806-9
Page Count: 400
Publisher: Avon/HarperCollins
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 1, 2020
Readers will devour this swoonworthy romance in one sitting.
Two talented chess players challenge each other on and off the board in bestselling author Hazelwood’s YA debut.
Eighteen-year-old Mallory Greenleaf is no longer interested in chess, not since her hypercompetitive dad left—the game calls up painful memories. But she grudgingly agrees to play in a charity tournament as a favor to best friend Easton Peña. After she unexpectedly beats current world champion Nolan Sawyer, she’s offered a fellowship that will prepare her to play professionally. Even though Mallory doesn’t want to play anymore, she needs the money that winning would provide; she’s delayed college to support her family, since her mother is chronically ill with rheumatoid arthritis and is unable to work regularly. The more time she spends with Nolan, the more Mallory comes to like and respect him—and the more time she spends playing chess, the more she remembers how much she loved it. But when she learns that Nolan has been keeping a big secret from her, she isn’t sure if she’ll be able to move past it to build a relationship with him. Filled with the author’s signature humor, well-developed characters, and realistic conflicts, plus the fully realized setting of competitive chess, this captivating romance will delight teen readers as well as Hazelwood’s adult fans. Mallory and Nolan are both cued white; there is some racial diversity among the supporting cast. Mallory and Easton are queer.
Readers will devour this swoonworthy romance in one sitting. (author’s note) (Romance. 14-adult)Pub Date: Nov. 7, 2023
ISBN: 9780593619919
Page Count: 368
Publisher: Putnam
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
PROFILES
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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