Next book

FIGS AND FATE

STORIES ABOUT GROWING UP IN THE ARAB WORLD TODAY

With annotations that make it especially useful for educational purposes and young readers, a welcome and human glimpse into...

American author Marston (Women of the Middle East: Tradition and Change, 2003, etc.) offers five intimate tales about life in Middle East countries from the perspective of the young.

The characters here are drawn from different classes of an Arab society mired in stasis, conservatism, and patriarchy. In “In Line,” set in Egypt, the privileged new girl in town, Rania, from a family of government workers who hold themselves above the peasants, longs to befriend Fayza, the smartest student in school but from a lower class. Allowed once to lunch at Fayza’s farm, Rania is enchanted by the farm chores and by the meal eaten on the floor, yet her parents are horrified by the mud on her clothes and Rania’s infraction of skating in public with Fayza’s older brother. In “The Hand of Fatima,” a Syrian maid working in Lebanon arranges for her father to join her, then faces an arranged marriage only slightly sweetened by the gold charm her father is able to buy her as bribe or dowry. “Faces” describes an adolescent Damascan boy’s awkward but well-meaning attempt to make dinner for his beleaguered mother, dumped by his father for another woman, while “Santa Claus in Baghdad” follows the impoverishing effects of the Gulf War on a family who can no longer afford even the basic necessities—such as the bounty of drugstore items Uncle Omar brings from America. “The Plan” is a sweet story from a Palestinian refugee camp about a young boy’s attempt to hook up his unemployed peddler brother with his lovely new art teacher. After each vignette, Marston presents an Author’s Note detailing social and political factors that may have been touched on—like the fact that after divorces in Islamic countries, the father traditionally takes the children, or that gold jewelry for women is a form of insurance when marriage fails.

With annotations that make it especially useful for educational purposes and young readers, a welcome and human glimpse into an often misunderstood culture.

Pub Date: April 1, 2005

ISBN: 0-8076-1551-X

Page Count: 146

Publisher: Braziller

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2005

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview