All this from an author who admits, “I am a chicken historian who does not actually like eating chicken,” but who finds the...
In her first book, a food historian with a feature writer’s flair illuminates the culinary history of the now-ubiquitous chicken.
Though the chicken would seem to be a subject that everybody knows about, Rude makes the humble bird’s story fresh and interesting on nearly every page. “Painted in broad strokes,” writes the author in the introduction, “this is a story of agricultural science and human health, of the economics of feeding a nation and the politics that encircle the making and eating of a food. But on a more intimate level, this is really just the story of dinner.” From chicken soup to chicken nuggets and from “chicken” as a synonym for coward to “a chicken in every pot” as a campaign slogan for prosperity, Rude covers chicken from practically every possible angle and perspective, showing how the bird that was once used mainly for its eggs and feathers now outdistances beef and pork (the “Other White Meat”) in American preference and how it has gone from a high-priced extravagance to a mass-produced bargain. Readers will learn about the 1920s “great Chicken Wars” that rivaled bootlegging in their bloodshed, about the “millions of mail-order chicks” delivered by the postal service, and about the development of “chicken eyewear” and even contact lenses to prevent the birds from pecking each other to death. There’s an unsung hero in Robert Baker, the “poultry savant, a chicken Thomas Edison,” whose legacy extends to the Chicken McNuggets boom, and Rude offers an intriguing analysis of the cross-cultural relationship between Colonel Sanders (beloved in China and Japan) and General Tso. There is also a more serious examination of the “deadly risks” in the mass production of chicken, including E. coli and salmonella.
All this from an author who admits, “I am a chicken historian who does not actually like eating chicken,” but who finds the bird as fascinating as she makes it for readers.Pub Date: Aug. 15, 2016
ISBN: 978-1-68177-163-2
Page Count: 272
Publisher: Pegasus
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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