by Emil Sher ; illustrated by Qin Leng ‧ RELEASE DATE: April 11, 2017
Untrammeled and honest.
A busy mother and child stay connected with notes as an important separation approaches in Sher and Leng’s debut collaboration.
Raiding the fridge for breakfast before school, brown-skinned Skip finds a sticky note from pale-skinned Mom, who has apparently already left, on the door: “Let’s have one more movie night before you go.” When Mom returns, a similar note awaits her in reply: “I’m not going. Not EVER!” Over the next few days, notes continue appearing from Mom as she readies Skip for an upcoming departure to sleepover camp, as well as notes with replies from Skip, who has no intention of attending camp. Alongside reminders for each other about buying milk, trips to the laundromat, and a visit from Mimsy (grandma), the family’s notes also contain a gentle tug of war as Skip adamantly insists that camp is out of the question and Mom patiently counters each concern. Sher manages to capture the familiar anxiety of a first-time camper as well as the quiet persistence of a parent’s reassurance as these succinct but affecting messages move steadily from unease to confidence. The sticky notes themselves move in and out of the limelight with each page turn as Leng’s breathy illustrations exude the easy energy of the characters while bringing their deceptively simple notes to full emotional life. The open ambiguity of the illustrations will allow readers to imagine Skip as either Mom’s biracial biological child or her adoptive child of color.
Untrammeled and honest. (Picture book. 4-8)Pub Date: April 11, 2017
ISBN: 978-1-55498-483-1
Page Count: 32
Publisher: Groundwood
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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by Alexandra Penfold ; illustrated by Suzanne Kaufman ‧ RELEASE DATE: March 2, 2021
The story’s slight but allows kids to practice identifying and dealing with their own big feelings.
The diverse group of kids from All Are Welcome (2018) this time gathers in a vacant lot with tools in hand to clear the debris and make something new. But therein lies the rub: What should the something new be? While the exact nature of the disagreement is unfortunately not made clear to readers, the big feelings that the children exhibit are very clear (and for readers who need practice reading facial clues, there’s a labeled chart of 15 in the frontmatter). This book’s refrain is “How can I help? / What can we do?” And the answers, spread over several pages and not spelled out in so many words but rather shown in the illustrations, are: talk it through, compromise, and see things from another perspective. As a guide for dealing with feelings and problem-solving, the book is a bit slim and lacks a solid story to hook readers. But, as with its predecessor, its strength is again the diversity on display in its pages. There’s a rainbow of skin tones and hair colors as well as abundant variation in hair texture, several children exhibit visible disabilities, including one child who uses a wheelchair, and there are markers of religious and cultural diversity. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 29.6% of actual size.)
The story’s slight but allows kids to practice identifying and dealing with their own big feelings. (Picture book. 4-8)Pub Date: March 2, 2021
ISBN: 978-0-525-57974-8
Page Count: 42
Publisher: Knopf
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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