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YOUNG MAN WITH CAMERA

Like the work of Diane Arbus, whose photographs play a central role here: bleak yet life-affirming.

A young street photographer with burn scars on his face is terrorized by brutal, manipulative bullies.

The narrator introduces himself simply as T—. "I don't like to write out my name," he explains with characteristic eloquence, simplicity, and wisdom, "because I know someone will come along and twist a normal name into something not-normal." Readers learn immediately why T— takes such a self-effacing defensive stance: charismatic Ryan, along with his sycophantic henchmen, targets T— relentlessly. Ryan's favorite tactic is causing destruction and making sure T— takes the fall, using his own charm and others' prejudice against T—'s appearance to full advantage. T— gets a brief moment of triumph when Lucy, a homeless woman he has befriended, thwarts Ryan and his stooges' attempt to harass her and embarrasses them in the process. Ryan's revenge, however, is vicious and disturbing, with violent consequences for both Lucy and a friend's dog. This is not a story in which truth prevails. The hope here lies instead in T—'s photographs, stark, expressive black-and-white portraits that appear interspersed with the text and add depth (though a layer of snow on a bicycle looks a bit too perfect to be real, and Lucy's clothes are strikingly clean).

Like the work of Diane Arbus, whose photographs play a central role here: bleak yet life-affirming. (Fiction. 12-16)

Pub Date: Sept. 29, 2015

ISBN: 978-0-545-54131-2

Page Count: 240

Publisher: Levine/Scholastic

Review Posted Online: June 15, 2015

Kirkus Reviews Issue: July 1, 2015

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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RADIO SILENCE

A smart, timely outing.

Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).

Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.

A smart, timely outing. (Fiction. 12-16)

Pub Date: March 28, 2017

ISBN: 978-0-06-233571-5

Page Count: 496

Publisher: HarperTeen

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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