by Emily Arnold McCully & illustrated by Emily Arnold McCully ‧ RELEASE DATE: March 1, 2012
Once readers have tackled the words, this story deflates with alarming celerity.
McCully’s beginning reader demonstrates that it takes more than words to make a story.
This is a tale of good intentions. Both the artwork, with its wobbly pen lines and disarming characterizations, and a measure of the wordplay speak volumes about welcoming new readers. The words are accessible, the rhymes provide flow and the near-rhymes—“‘Eat up, Nate,’ say Jane and Jake”—are one of those little delights that snag the reader’s ear. But there is also atonality reminiscent of Dick, Jane and Sally. “The race is today. Mom, Dad, Jake, and Jane are here. Nate is not. He is slow. / It is late. Nate is still not here.” Storywise, okay, Nate the mouse is slow, and so be it. He even has a Thoreauvian moment when, as his mother prods him to enter the race, he says, “No. I like to go slow.” But he is never allowed to beat that drum, as his mother pushes him to the starting line. Nate, who has shown not a wink of flash, blows by everyone and wins the race by yards. What gives? Did a cat unexpectedly enter the precincts? Did fear give him sudden instincts of skill? Was it steroids? No reason is forthcoming.
Once readers have tackled the words, this story deflates with alarming celerity. (Picture book/early reader. 4-8)Pub Date: March 1, 2012
ISBN: 978-0-8234-2421-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
Share your opinion of this book
More by Emily Arnold McCully
BOOK REVIEW
by Emily Arnold McCully ; illustrated by Emily Arnold McCully
BOOK REVIEW
by Emily Arnold McCully ; illustrated by Emily Arnold McCully
BOOK REVIEW
by Elizabeth Spires ; illustrated by Emily Arnold McCully
by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Share your opinion of this book
More by Katheryn Russell-Brown
BOOK REVIEW
by Katheryn Russell-Brown ; illustrated by Kim Holt
BOOK REVIEW
by Katheryn Russell-Brown ; illustrated by Eric Velasquez
BOOK REVIEW
by Katheryn Russell-Brown ; illustrated by Laura Freeman
by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
Awards & Accolades
Likes
69
Our Verdict
GET IT
IndieBound Bestseller
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
Share your opinion of this book
More by Craig Smith
BOOK REVIEW
by Craig Smith ; illustrated by Katz Cowley
BOOK REVIEW
by Doug MacLeod ; illustrated by Craig Smith
BOOK REVIEW
by Adam Osterweil and illustrated by Craig Smith
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.