A humble and humbling saga of spirituality and service.

Keeping Kyrie

A TRUE STORY OF FAITH, FAMILY, AND FOSTER CARE

In this debut memoir, a Mormon convert discusses being a foster parent to dozens of children and ultimately adopting six with special needs. 

Christensen begins her narrative by recounting the 2015 emergency helicoptering of her foster baby Kyrie from their home state of Oklahoma to a Cincinnati Children’s Hospital that was better equipped to handle the infant’s challenging health care needs; the child was born with Pierre Robin syndrome, a disorder that causes facial and airway abnormalities. The author then proceeds to comment on other key milestones of her life, particularly during five years in which she converted to the Mormon faith, decided to get cochlear implants, battled ovarian cancer, dealt with her parents’ deaths, got married, and committed to foster parenting. Christensen and her husband, Nathan, fostered some 70 children during this period and ending up adopting six with special needs, including Kyrie. Christensen focuses on the baby’s grueling, touch-and-go surgeries (during which the author believed a chaplain’s soft humming helped keep the child alive), her own multiple miscarriages, her shock over her mother’s death in a car accident, and many custody hearings and adoption processes. She concludes the book with her joy over having a family of six children and the fact that their adoptions were both sanctioned by the secular court and celebrated in the ceremonies of her beloved Church of Jesus Christ of Latter-day Saints. The author has crafted a powerful memoir that skillfully unspools its dramatic anecdotes from Kyrie’s airlift onward, effectively showcasing Christensen’s awe-inspiring commitment to demonstrating her faith—most significantly, through her parenting. Her use of flashback and flash-forward techniques makes the chronology of her life unclear at times, though, and the account of her troubled early adulthood before her spiritual rebirth is underdeveloped. Still, she ultimately engages readers with her musing narrative, which is admirably infused with sympathy for the struggling, often drug-addicted parents who gave up their children for adoption.

A humble and humbling saga of spirituality and service.

Pub Date: July 1, 2016

ISBN: 978-0-9977588-0-1

Page Count: 312

Publisher: HWC Press

Review Posted Online: Aug. 30, 2016

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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