by Emily Dickinson ; edited by Susan Snively ; illustrated by Christine Davenier ‧ RELEASE DATE: Dec. 20, 2016
This arresting edition makes for a wonderful introduction to Dickinson’s poetry that’s sure to captivate all ages.
An illustrated Dickinson primer for young and old.
This first title in the Poetry for Kids series incorporates the editorial savvy of poet/scholar Snively and artistry of acclaimed illustrator Davenier in presenting this supple edition of Dickinson’s verse. Loosely grouped by seasons of the year, Snively’s 35 selections showcase Dickinson’s pithy contemplations of nature, animals, insects, and stages of life, presenting some of the poet’s greatest hits (“Because I could not stop for Death,” “I’m nobody! Who are you?” “A narrow fellow in the grass,” “There’s a certain slant of light”) alongside many delightful, lesser-known works sure to pique the interest of young readers and listeners. Throughout, Davenier’s sumptuous illustrations, utilizing pen and ink with vivid watercolors, depict scenes as wispy and suggestive as Dickinson’s poetry. Snively also adds small glosses of tricky vocabulary on each page, which help open up the intricate layers of meaning. Dickinson aficionados will be intrigued by the editorial note at the volume’s end, entitled “What Emily Was Thinking,” which includes one-line thematic summations of each poem, providing helpful entrees into these potent stanzas.
This arresting edition makes for a wonderful introduction to Dickinson’s poetry that’s sure to captivate all ages. (introduction, glossary, notes, bibliography) (Poetry. 8-12)Pub Date: Dec. 20, 2016
ISBN: 978-1-63322-117-8
Page Count: 48
Publisher: Moondance/Quarto
Review Posted Online: Oct. 10, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by William Shakespeare ; edited by Marguerite Tassi ; illustrated by Mercè López
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by Katherine Applegate ; illustrated by Charles Santoso ‧ RELEASE DATE: Sept. 20, 2022
Rich, naturalistic details will delight lovers of marine life.
A Monterey Bay sea otter comes of age.
Odder’s mom told her to stay away from sharks, humans, and anything else she didn’t understand, but after saving her friend Kairi from a shark attack, she encounters all three. Injured herself during the rescue, Odder ends up recuperating at the Monterey Bay Aquarium, or Highwater as the otters call it, where she once lived as a young orphaned pup. Last time, the humans helped her reintegrate into the wild, but because of her injuries this time the outcome might be different. Soon Kairi is there too, stricken with “the shaking sickness” and having lost her newborn pup. Now Kairi is fostering a new pup, and soon one is introduced to an initially reluctant Odder in hopes that she will help raise it so it can return to the wild. The free verse effortlessly weaves in scientific information, giving Odder a voice without overly anthropomorphizing any of the animals. The natural appeal of sea otters will draw readers in, but the book doesn’t shy away from real-world threats such as predators, disease, and pollution. Loosely based on the stories of real sea otters rehabilitated at the Monterey Bay Aquarium, this novel will give readers lots to talk about, but uneven pacing and a rushed ending may leave some unsatisfied. Charming black-and-white spot art captures the world and life of the sea.
Rich, naturalistic details will delight lovers of marine life. (glossary, author’s note, bibliography, resources) (Verse novel. 8-12)Pub Date: Sept. 20, 2022
ISBN: 978-1-250-14742-4
Page Count: 288
Publisher: Feiwel & Friends
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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by Jacqueline Woodson ‧ RELEASE DATE: Aug. 28, 2014
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)
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A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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