Miller (Brand New Human Being, 2012) is refreshing in her approach to abortion, but too many coincidences and parallels in...
This earnest domestic drama set on Cape Cod covers all three bases of family relationships—siblings, spouses, parents and children—as well as the left field of uncle and nieces.
When he finds himself jobless, homeless, and single, 42-year-old Vance comes to stay in the childhood home where his twin brother, Craig, still lives with his second wife, Gina, their two young children, and Craig’s 17-year-old daughter from his first marriage, Amanda. Vance, the seemingly more sensitive if less responsible brother, envies and resents straight-arrow Craig’s relative success, but no one in this family is happy or exactly likable, and each harbors a store of secrets, guilt, moral dilemmas, and resentments. More than $250,000 in debt, builder Craig is desperately counting on two not-quite-solid projects to bail himself out. He also still blames himself for the death of Amanda’s mother in a diving accident 11 years ago. Gina, a Harvard grad with design aspirations, is dissatisfied merely running a boutique. Frustrated in her marriage to uncommunicative Craig, she's tempted into flirtation with the twins’ longtime friend Dov, who plans to have Craig build his new restaurant. The biggest secret of all, and the one that affects everyone eventually, is held by Amanda. Already accepted to Dartmouth (natch, in this novel full of Ivy Leaguers and rich-people problems), she was caught smoking pot at school after her boyfriend, incidentally Dov’s son, dumped her; instead of being expelled, she was sent to Chile, where she met a guy and got “in trouble.” She’s desperate not to be pregnant, but her father is against abortion for reasons from his youth that he is not sharing. Meanwhile, Vance runs into his old high school girlfriend, coincidentally the riding teacher of his poignantly underappreciated 6-year-old niece, Helen, and the guilty secret that has haunted him since their breakup surfaces.
Miller (Brand New Human Being, 2012) is refreshing in her approach to abortion, but too many coincidences and parallels in plot and character connections weaken the novel.Pub Date: Feb. 21, 2017
ISBN: 978-0-547-73441-5
Page Count: 288
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Nov. 23, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
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