Snow never left you feeling warmer inside.
Three toys make their way out into their first snow.
Lumphy (the stuffed buffalo) has so many questions about all that white; StingRay (the, um, stingray) and Plastic (the ball) offer up answers both fantastic and factual, respectively. When Lumphy asks, "I mean, what is a snowflake?" StingRay responds immediately, "A snowflake is a tiny ballerina," while Plastic asserts, "No, it's just really tiny frozen water....I read that, too." Plastic reads a lot. The wonderfully idiosyncratic trio works brilliantly together, playing with equally exciting imaginary and realistic hypotheses about snow, their unique personalities and intellectual strengths jiving all the while. Subdued illustrations with cool colors and rounded shapes evoke the comforting softness of a threadbare, beloved toy. Amusing vertical and horizontal paneled sequences show these toys working together fervently: opening a door, building a snowman, discerning a snow-laden tree and a strawberry sunset. Children come away seeing the value, pleasure, and benefits of different outlooks and sensibilities. They also see that questions, elaborate, unusual answers, and unearthed facts can cohere into one swirling, whirling, dazzling snowstorm of discovery.
Snow never left you feeling warmer inside. (Picture book. 2-6)Pub Date: Sept. 22, 2015
ISBN: 978-0-385-37330-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
Momo longed to carry the blue umbrella and wear the bright red rubber boots she had been given on her third birthday. But day after day Indian summer continued. Momo tried to tell mother she needed to carry the umbrella to nursery school because the sunshine bothered her eyes. But Mother didn't let her use the umbrella then or when she said the wind bothered her. At last, though, rain fell on the city pavements and Momo carried her umbrella and wore her red boots to school. One feels the urgency of Momo's wish. The pictures are full of the city's moods and the child's joy in a rainy day.
Pub Date: March 1, 1958
ISBN: 978-0-14-050240-4
Page Count: 32
Publisher: Viking
Review Posted Online: Dec. 9, 2013
Kirkus Reviews Issue: March 1, 1958
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