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FAILURE TO APPEAR

RESISTANCE, IDENTITY AND LOSS

A captivating and often affecting account of an activist outside the law.

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In this debut memoir, a writer recounts her life as an underground activist in the 1960s and after.

Linda J. Quint grew up comfortably in 1950s Los Angeles, but by 1965 the Berkeley sophomore had become a budding radical. “My generation was getting down, getting high, getting busy with confronting this country’s long-standing wrongs, like racial segregation and the shameful war in Vietnam,” she remembers. As if she hadn’t outraged her parents enough, Quint revealed she had fallen in love with a girl, causing her father to cut her off financially. Following graduation, she disappeared into Chicago’s activist left. After she helped destroy 50,000 selective service records, she went on the run. Margaret Wilzbach—that was the name on the new ID in her pocket—slept in hideouts in cities like Detroit and Birmingham, Alabama, feeling increasingly disillusioned with “the Revolution.” Later, as Judith Jablonski, she found sanctuary in Atlanta—and a lover. Eventually becoming Alexa Emily Freeman, she made it all the way to San Francisco, where the work of liberation was just beginning. Under various identities, in multiple cities and decades, the author found herself a soldier for the cause of freedom—a cause that itself wore many guises. Collectively, these threads tell a story that gets right to the heart of the generation that came of age in the ’60s. Freeman writes with a sincerity of purpose, unspooling a narrative that is part travelogue, part “notes from the underground,” and part coming-of-age tale. “No one in my life has real names anymore,” she realized at one point. “With every mile, my former life disappears. I’m on the run, in a Mercury Marquis, traveling down to a safe house in the deep south. It’s impossible to turn back now. I close my eyes, remembering who I was.” The author never separates herself from her politics, but readers easily can: The figure who emerges is one of youthful rebellion played out to its furthest logical extent. This work is both a compelling profile of a subculture and a revealing portrait of someone who gave everything to shape it—and, perhaps unintentionally, was shaped by it in return. 

A captivating and often affecting account of an activist outside the law.

Pub Date: March 1, 2020

ISBN: 978-1-61929-426-4

Page Count: 262

Publisher: Blue Beacon Books by Regal Crest

Review Posted Online: Dec. 5, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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