A sweet but slight bouquet: a gardening memoir told in a Southern drawl. Whaley, an 85-year-old South Carolina gentlewoman, sits down, as it were, in her Charleston garden to summon up memories of camellias past. Baldwin, a South Carolina architect and novelist (The Fennel Family Papers, 1996, etc.), observes that she ``moves with the imperial bearing of a grand Southern matron. But on the inside she's a knobby-kneed 14-year-old country girl.'' The matron's account of life and gardening can come across as regrettably mild. ``It's an awful lot of fun to live into your eighties,'' she declares. ``It helps to have some money, though.'' Likewise, she remarks, ``People are the greatest—the most fun that life offers.'' But Whaley also delivers some choice comments and vignettes: ``Dad said if everything Nan planted had taken, a rabbit couldn't have run across the yard.'' And she can be folksily tart: ``You have a muscle here between your ears. When you play tennis, when you do exercises, you use muscles. The muscle up top is the same. Unless it's used it is going to be flabby.'' Whaley devotes chapters to her rural childhood, her parents, and her lawyer husband; she also offers her thoughts on her dog, on self-esteem, and on her favorite recipes. Discussions of her Charleston garden, measuring 30 by 110 feet, takes up about a third of the book, and though her description of it is charming, one doesn't walk away with a convincing sense of place. Her gardening advice is pretty basic: ``DO water your plants in the morning so that the leaves are dry by nightfall. You'll have less trouble with fungal diseases.'' And too many of the non-gardening vignettes seem slender, unrevealing. It would have been better to drench those portions with details, which count for as much in life stories as they do in gardens. (illustrations, not seen)
Pub Date: March 31, 1997
ISBN: 1-56512-115-5
Page Count: 248
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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