by Emily Wortis Leider ‧ RELEASE DATE: June 1, 1997
A wide-ranging biography and social history examining the years in which Mae West the woman became Mae West the theater and movie star and cultural icon. It's a mark of how definitive a character Mae West was that even people who have never seen one of her movies are likely to know what she looked liked and how she talked, and to know one or more of her most famous quips. In this new biography Leider demonstrates that this character was the work of a woman who painstakingly reinvented herself over a long career, starting as a child performer at the turn of the century and on into an extensive period in vaudeville, burlesque, and finally Broadway, where she wrote and starred in the plays that defined Mae West for America. This period in West's life remains little understood, and Leider brings vividly to life the young entertainer, as well as the entertainment world in which she moved. But Leider also widens her focus to detail the cultural history of the period, showing how changes in social and sexual mores affected West and how she, in turn, affected them. There are some narrative infelicities: The sequence of events is occasionally jumbled, and Leider is prone to show off her research with long lists of almost random details. And Leider (California's Daughter: Gertrude Atherton and Her Times, 1991) believes that after censors effectively ended West's film career at the end of the '30s, little she did was worthy of note. Thus she disposes of the last 40 years of West's life in an 8-page epilogue. But for the most part this is lively, incisive reading. A vibrant story of a star's life and times—not just for the movie buffs. (photos)
Pub Date: June 1, 1997
ISBN: 0-374-10959-1
Page Count: 448
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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