An evocative novel that captures the uncertain, unmoored feeling of existing between worlds—culturally, linguistically,...

THE ASTONISHING COLOR OF AFTER

Grief, regret, and loneliness form the backdrop of a family’s life following a suicide, but a path for healing reveals itself in the form of a magical red bird.

Fifteen-year-old Leigh Chen Sanders, daughter of an Irish-American sinologist father and a Taiwanese pianist mother, is in love with her best friend, Axel Moreno. The two have much in common: as well as sharing a passion for art, he is half Filipino and half Puerto Rican and also stands out in their racially homogeneous school. However, a rift has opened between them since their first kiss coincided with the day Leigh’s mother took her own life. Now left alone with a distant, judgmental father, Leigh is directed by a red bird she is convinced is her mother to visit her estranged grandparents in Taiwan. There, she seeks out places that were meaningful to her mother and uncovers long-hidden family secrets. The Taiwanese setting is enticingly portrayed, and the magical realism of the bird spirit offers transportive flashback journeys into the family’s history. The stigma of mental illness and the terrible loneliness of not being accepted form the heart of this emotionally honest tale, but the device of having Leigh express her feelings in terms of color is distracting and adds little to the story.

An evocative novel that captures the uncertain, unmoored feeling of existing between worlds—culturally, linguistically, ethnically, romantically, and existentially—it is also about seeking hope and finding beauty even in one’s darkest hours. (author’s note, resources) (Fiction. 14-18)

Pub Date: March 20, 2018

ISBN: 978-0-316-46399-7

Page Count: 480

Publisher: Little, Brown

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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This gripping page-turner will keep readers guessing until the final twist.

SHE'S GONE

Seventeen-year-old Hunter Gifford has no memories of the car accident he was in the night of the homecoming dance with Chloe Summers, his now-missing girlfriend.

In the small southern Kentucky city of Bentley, comments on social media condemn Hunter as responsible for Chloe’s disappearance. When he attends the community vigil for her, Chloe’s mother publicly accuses Hunter of obstructing the investigation. Hunter’s own mom died when he was 15 and his sister, Olivia, was 12. Their dad has awkwardly attempted to pull his weight as a solo parent, and Hunter has stepped in and nurtured Livvy. Small but mighty Livvy is an ardent defender of her brother and is fiercely in love with her girlfriend, Gabriela. To make things worse, childhood friend Daniel informs Hunter that he’s making a true-crime documentary about Chloe. Hunter is upset, especially since it makes him look like a prime suspect, and a subsequent dramatic event draws more attention to the video. Hunter and Chloe met in creative writing club, and he knew she kept a journal—but it’s missing. Enter the sleuthing team of Hunter, Livvy, and Gabriela, who hatch a plan to find it. The dynamics between Hunter and Livvy and Livvy and Gabriela are endearing and will charm readers, who will root for them to solve the well-executed mystery. Main characters default to White; Gabriela is Mexican American.

This gripping page-turner will keep readers guessing until the final twist. (Thriller. 14-18)

Pub Date: Nov. 1, 2022

ISBN: 978-1-72825-420-3

Page Count: 360

Publisher: Sourcebooks Fire

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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