THE ASTONISHING COLOR OF AFTER

Grief, regret, and loneliness form the backdrop of a family’s life following a suicide, but a path for healing reveals itself in the form of a magical red bird.

Fifteen-year-old Leigh Chen Sanders, daughter of an Irish-American sinologist father and a Taiwanese pianist mother, is in love with her best friend, Axel Moreno. The two have much in common: as well as sharing a passion for art, he is half Filipino and half Puerto Rican and also stands out in their racially homogeneous school. However, a rift has opened between them since their first kiss coincided with the day Leigh’s mother took her own life. Now left alone with a distant, judgmental father, Leigh is directed by a red bird she is convinced is her mother to visit her estranged grandparents in Taiwan. There, she seeks out places that were meaningful to her mother and uncovers long-hidden family secrets. The Taiwanese setting is enticingly portrayed, and the magical realism of the bird spirit offers transportive flashback journeys into the family’s history. The stigma of mental illness and the terrible loneliness of not being accepted form the heart of this emotionally honest tale, but the device of having Leigh express her feelings in terms of color is distracting and adds little to the story.

An evocative novel that captures the uncertain, unmoored feeling of existing between worlds—culturally, linguistically, ethnically, romantically, and existentially—it is also about seeking hope and finding beauty even in one’s darkest hours.