A bracing burst of joie de vivre, ideal for any rude, nude, naked brood.
This Australian import features two imps who take a particular pleasure in gamboling about sans covering.
From the title page, where a brother and his older sister fling off their clothes, to the “splishing, splashing, sploshing” of a bath, Quay captures the delight her two heroes feel when down to their birthday suits. Almost immediately, the two dry off and zoom through the house. Gently rhyming text chronicles their sensory adventures as they enjoy the soft rug, the spiky doormat and the dangling fronds of a backyard willow. Their capers concluded, the two return to the loving embrace of their mama “for a cuddle, kiss and hug and squeeze and hold.” Some American readers may try in vain to parse the linguistic logic behind the term “rudie nudie,” a phrase that seems to refer to both juvenile streakers at once. Others (probably grown-ups) may be uncomfortable with the pair’s unapologetic embrace of their nude states. Yet for many children, Quay’s paean to running about in your altogethers will prove irresistible. The accompanying art, calculatedly devoid of penises, done in pencil, paper and Photoshop, charms. More importantly, it clarifies that the book celebrates a childhood experience, separate from the parental gaze.
A bracing burst of joie de vivre, ideal for any rude, nude, naked brood. (Picture book. 2-6)Pub Date: Dec. 1, 2014
ISBN: 978-0-7333-2335-5
Page Count: 24
Publisher: Harper360
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
Momo longed to carry the blue umbrella and wear the bright red rubber boots she had been given on her third birthday. But day after day Indian summer continued. Momo tried to tell mother she needed to carry the umbrella to nursery school because the sunshine bothered her eyes. But Mother didn't let her use the umbrella then or when she said the wind bothered her. At last, though, rain fell on the city pavements and Momo carried her umbrella and wore her red boots to school. One feels the urgency of Momo's wish. The pictures are full of the city's moods and the child's joy in a rainy day.
Pub Date: March 1, 1958
ISBN: 978-0-14-050240-4
Page Count: 32
Publisher: Viking
Review Posted Online: Dec. 9, 2013
Kirkus Reviews Issue: March 1, 1958
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