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THE TWELVE DAYS OF CHRISTMAS

A tip of the hat to this delightful rendition of an old song, updated with memorable illustrations and a modern cast of...

This handsome rendition of the classic holiday song features a striking black cover with a folk-art–style floral border and the title in gold letters.

The visual story begins with a little girl dressed in an old-fashioned coat, receiving her first gift of a partridge in a potted pear tree. The smiling girl has light skin, pink cheeks, and a long, dark braid. On subsequent days, she receives the next gift on the left-hand page with the accumulated earlier gifts attractively arrayed on the right-hand page. The girl wears a different costume on each day, always with red bows on her braid. The double-page spreads effectively use white backgrounds and delicate floral borders augmented with tiny details appropriate to that day’s gifts. In the later gift days with human characters, each person within a group wears a different style of costume, and half the characters within each group are people of color. The final spread shows the little girl back home with her pear tree and partridge, with a light-skinned boy coming up the path, tipping his hat to his “true love.” Top-notch production values abound, including the intriguing cover, floral endpapers, thick paper, and an appealing, accessible overall design.

A tip of the hat to this delightful rendition of an old song, updated with memorable illustrations and a modern cast of characters. (Picture book. 3-7)

Pub Date: Oct. 17, 2017

ISBN: 978-0-515-15763-5

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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HOW TO CATCH A MAMASAURUS

From the How To Catch… series

A syrupy tribute to mothers that may please fans of the series.

Another creature is on the loose.

The long-running series continues its successful formula with this Hallmark card of a book, which features bright illustrations and catchy rhymes. This time, the mythical creature the racially diverse children set out to catch is an absent mom who does it all (lists of descriptors include the words banker, caregiver, nurse, doctor, driver, chef, housekeeper, teacher, entertainer, playmate, laundry service, problem solver, handywoman, cleaner, and alarm clock) but doesn’t seem to have a job outside the home and is inexplicably a dinosaur. As the children prepare gifts and a meal for her, the text becomes an ode to the skills the Mamasaurus possesses (“Day or night she’s always there. / She meets every wish and need”) and values she instills (“Sometimes life can mean hard work,” “kindness matters,” and “what counts is doing your best”). This well-intentioned selection veers into cliche generously sprinkled with saccharine but manages to redeem itself with its appreciation for mothers and all that they may do. Endpapers include a “to” and “from” page framed in a heart, as well as a page where young gift givers or recipients can draw a picture of their Mamasaurus.

A syrupy tribute to mothers that may please fans of the series. (Picture book. 3-6)

Pub Date: March 5, 2024

ISBN: 9781728274300

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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