THE PERFECT GUESTS

An actress is ensnared in a web of secrets when she takes a job as a guest in a murder-mystery game at a sprawling country manor.

Sadie Langton has lost more than one part-time job recently, and acting gigs are hard to come by, so when her agent calls with an offer, she can hardly refuse. Besides, she doesn’t even have to audition, and it sounds like fun: She’ll don fancy vintage clothes and play Miss Lamb, a guest for a startup murder-mystery company in the first run-through of their game. The dazzling and remote Raven Hall, in the Fens of eastern England, boasts an appropriately dark history. But as the game begins and the champagne flows, Sadie grows increasingly uneasy, and she’s especially unnerved by the strangely personal details on her clue cards. When a member of their group disappears, Sadie fears that someone is playing a far more dangerous game than the one she was hired for. As in her first novel, The Au Pair (2019), Rous entwines the present with the past, and Sadie’s narrative alternates with an account of events that took place at Raven Hall in the late 1980s, as told by 14-year-old Beth Soames, an orphaned teen who is taken in by Leonora Averell, her partner, Markus Meyer, and their daughter, Nina. Passages that seem to take place between Sadie's and Beth’s stories are interspersed as well. Beth and Nina become fast friends, but things take a dark turn when a boy named Jonas comes between them, and Leonora and Markus ask Beth to play a very strange game. Beth and Nina’s story is absorbing, but Sadie’s narrative never pops. With this kind of setup, one might expect some Clue-esque hijinks at the looming mansion, but alas, it is not to be, and the confusing pile-on of revelations in the final act, as the author connects the seemingly disparate threads, might leave readers with whiplash.

An intriguing premise, but this lacks the suspense and sharp plotting of the author's first novel. Call it sophomore slump.