Definitely on the Wimpy Kid bandwagon, but less vicious with the satire and therefore all the more welcome. (Graphic novel....
Scenes from the life of a middle-grade Everydonkey.
Aside from a few tears after being suddenly struck by the expressions “dumbass” and “dumb as a donkey” (his mother gently joshes him out of his funk), Ariol travels a relatively gentle emotional landscape in this series opener. Giggle-inducing episodes usually involve Ariol’s friend Ramono the pig, who sets off a nose-to-nose, no-hands game of “pass the tissue” at school and later brings fake vomit on a class outing (“My dad had bought it to play a joke on my mom, before their divorce”). Other experiences range from providing commentary for a triumphant tennis match against illusory opponent Stevie McFailure to cutting up in gym and, in the finale, suffering a nightmare in which he has to choose between class crush Petula the cow or becoming an interstellar knight with beloved equine superhero Thunder Horse. Boutavant arranges the all-animal cast in large sequential panels that never look crowded even when the dialogue balloons multiply.
Definitely on the Wimpy Kid bandwagon, but less vicious with the satire and therefore all the more welcome. (Graphic novel. 8-10)Pub Date: Feb. 19, 2013
ISBN: 978-1-59707-399-8
Page Count: 124
Publisher: Papercutz
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
In this middle-grade graphic novel, young Claire is distressed to discover that her family is about to move from their home in the city to the all-too-rural town of Bellevale. Claire’s parents are starting a new organic bakery, and their fights only serve to worry their daughter further. Just when Claire has settled in and made a new friend named Jet, her mom disappears with an artificial-flavoring salesman. Clearly sneaky dealings are afoot and it’s up to Clair and Jet to solve the mystery. What starts out as a perfectly nice bit of realistic fiction about making new friends and dealing with parental disputes ends up morphing into a bizarre and didactic tale of evil artificial ingredients and corporate domination. The art does little to improve the basic problems with tone. And while the recipes in the back of the book look yummy, there is a self-righteousness to this sketchily drawn story that will leave a bad taste in the reader’s mouth. (Graphic fiction. 8-10)
Pub Date: April 1, 2008
ISBN: 978-1-55453-286-5
Page Count: 104
Publisher: Kids Can
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK REVIEW
In these retooled versions of Max’s Logbook (2003) and Max’s Mystical Logbook (2004), Moss discards the graph-paper backgrounds, expands the role of a small green pencil-topper that is (at least in the young narrator’s mind) a visitor from space with telepathic powers and remixes lightly revised text and art. In the setup episode Max draws comics, lays out simple science demonstrations (“Experiment #1: What happens when you microwave a marshmallow?”) and turns a bucket full of pencil erasers into action figures by drawing faces on them—all while watching and fretting about his parents’ separation. Max Disaster #2: Alien Eraser Unravels the Mystery of the Pyramids (ISBN: 978-0-7656-3385-5; paper: 978-0-7636-4408-6) features more of the same as he and his best buddy Omar work on a school project offering “proof” that aliens built the Egyptian pyramids. Max’s narrative being thickly interspersed with small color illustrations and neatly lettered captions, comments and dialogue balloons, even novice chapter-book readers will have no trouble following along—and could well catch Max’s interests in science, or at least eraser decoration to boot. (Fiction. 8-10)
Pub Date: May 1, 2009
ISBN: 978-0-7636-3577-0
Page Count: 56
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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