Next book

WHO DO YOU THINK YOU ARE

A readable and appealingly personal story of a man shoring up his life with Christian faith.

A Christian memoir about searching for identity.

Upputuru opens his nonfiction debut with a series of questions about his own identity as he tries to differentiate himself from the other 8 million people on the planet. “I see myself playing out different identities at different settings in society,” he reflects. “I am a father, a son, a husband, a brother, a citizen, a copywriter, an employee, a neighbour, a sports fan, a cricket fan, a test cricket fan—all at the same time.” The author is a chief creative officer for an ad agency in Gurgaon, India’s “Millennium City,” and he notes how central this role is to his quest: “I belong to the marketing, advertising and branding world,” he writes. “We get paid to create identities and images for products. Our job is to convert a product into a brand.” Upputuru’s discussion of created identities leads him to the main subject of his book—his own status as a Christian and the various challenges of his personal faith. He writes generously about his family and his work, but the main focus here is the personal rejuvenation he gained from embracing Christianity, a path not without perils: “We can lose that restored identity if, after believing the truth, we fall for the devil’s word again,” he cautions, “if we don’t follow Jesus’ footsteps all the way to the cross.” Ultimately, the author’s religious insights come to dominate the narrative, leading him to the figure of Jesus. “This is the wisdom that comes from above,” he asserts. “This is love.”

At the heart of Upputuru’s account of finding personal identity through faith is the story of Adam and Eve in the Garden of Eden, which he arguably misreads. God tells Adam and Eve in the Garden that if they eat from the tree of the knowledge of good and evil, on that day they will surely die; Adam goes on to live for 930 years. Thus, when Upputuru writes that, “When man chose to disobey God by eating the fruit, he did die—the same day, hour, minute, second, the moment he disobeyed,” he’s in error. The author asserts that when God subsequently spoke with Adam, He was “speaking with a spiritually dead being.” The Bible makes no such distinction, but readers who are comfortable with Upputuru simply adding it will likely also take comfort from the broader narrative about transgression and redemption he spins out of that addition. The tone the author adopts for his narrative is very human and unaffected, and Upputuru does a skillful job of grounding most of his anecdotes in his own experiences as a husband, a father, and a creative professional. He is the main character of all his stories, and he consistently portrays himself as an everyman figure, constantly dealing with the “devil” of desiring approbation from others. (“These patches of pride have the potential to clog the spiritual cords that connect me to God and slowly suffocate me to death.”) While Upputuru doesn’t always manage smoothly to blend his faith narrative with his personal story, he’s always pleasant company on the page, and readers will identify with his feet of clay.

A readable and appealingly personal story of a man shoring up his life with Christian faith.

Pub Date: July 10, 2023

ISBN: 9781664293311

Page Count: 330

Publisher: WestBowPress

Review Posted Online: July 16, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 446


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 446


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 126


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Awards & Accolades

Likes

  • Readers Vote
  • 126


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Close Quickview