An accessible and even fun book of useful prayers for the modern kid.
Routine activities are grounded in childlike faith demonstrated through everyday prayers and guileless optimism.
A brown-haired, beige-skinned girl with the first initial E, who readers might assume shares the name Emme with the 12-year-old author, takes them through a day of simple and sometimes profound prayers. She starts her day with prayers for the motivation to leave her warm, cozy bed, to get out the door on time, and to pay attention in school. E prays to develop her patience, honesty, gratitude, and self-discipline; she prays for her family, friends, and pets; and she even throws in a quick prayer for her favorite animal, the sloth. The author’s note reveals that the prayers were inspired by her own daily prayers and how the simple practice of praying throughout the day has brought peace. While the author may not be a household name, her parents (Jennifer Lopez and Marc Anthony) are, yet despite her famous family the book is endearingly down to earth. Figueroa’s cartoons depict E in a comfortable but fairly unremarkable suburban setting; readers will enjoy seeing E’s sloth-themed décor as well as dog Lady and bunnies Nibble and Skittles. The everyday activities that inspire E’s prayers are sure to resonate with many readers, as will the encouraging message to trust God with the small stuff. The full text of the traditional bedtime prayer “Now I lay me down to sleep” appears at the end. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 30.3% of actual size.)
An accessible and even fun book of useful prayers for the modern kid. (Picture book. 4-7)Pub Date: Sept. 29, 2020
ISBN: 978-0-593-12008-8
Page Count: 40
Publisher: Crown
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
The artistic condescension and incongruities make this a marginal offering at best.
On Dec. 12, 1531, in newly colonized Mexico City, the Virgin Mary appeared to an Aztec farmer, Juan Diego, and spoke to him in Nahuatl, his native language, telling him to ask the bishop to build her church.
Despite Mary’s command, the Spanish bishop refused to comply until, after repeat visits, Juan Diego opened his cloak and roses cascaded out, revealing the image of Mary with the skin tone and features of an Indigenous Mexican woman. The bishop finally relented and had the church built on the hill of Tepeyac, where millions visit to this day. Demi’s retelling is both often at odds with the historical record and unabashedly Euro-centric: “In 1519 AD, the powerful Spanish conquistador, Hernan Cortes, landed in Mexico.” Cortes arguably was not a “conquistador” prior to the Mexican campaign. He had been a bureaucrat and owner of Indigenous slaves in Hispaniola and Cuba. Additionally, Demi’s familiar style is incongruous against the setting of 16th-century Mexico. Juan Diego and his fellow Aztecs are garbed in sombreros and clothing from the Mexican Revolution—more than 300 years in the future—and the Spanish conquistadors bear a resemblance to images of Mongol warriors. Furthermore, the Virgin herself appears more Asian then Aztec, and Juan Diego’s childlike depiction belies the fact that he was 57 at the time. Demi also fails to portray the modern basilica even though she ends her retelling in modern Mexico.
The artistic condescension and incongruities make this a marginal offering at best. (further information) (Informational picture book. 4-7)Pub Date: June 7, 2018
ISBN: 978-1-937786-73-1
Page Count: 40
Publisher: Wisdom Tales
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
A light treatment of a familiar tale.
The traditional Japanese folktale about a stonecutter who seeks ever greater prominence and power is retold in a modern, flippant version.
Stanley the frog works hard as a stonecutter. Though good at his job, he acknowledges the difficulties of his vocation. One day, on his way home from the quarry, Stanley observes a rabbit in a business suit “just sipping tea” and wishes he could be doing the same. Magically transformed with suit and tie, Stanley finds himself in the tea shop and declares, “Oh yeah! Now, this is more like it!” Soon a “commotion” around the king and his procession outside the tea shop prompts a new wish from Stanley: to be the king. Now the monarch, he proclaims “This rules!…I could get used to this kind of life!” As the sun beats down on Stanley, he grows tired of being the king and decides that being the sun would be better. Each new wish produces a limited amount of happiness or prestige with subsequent wishes to become a black cloud, a gusty wind, and finally the great stone. But Stanley’s satisfied only briefly, as the great stone must now contend with a new young stonecutter. Simple, bold, large cut-paper illustrations add to the absurdity, but overall this production with its implicit conclusion pales artistically when compared to Gerald McDermott’s stylized papercuts and Demi’s elegant paintings in their 1975 and 1995 versions, respectively.
A light treatment of a familiar tale. (author’s note) (Picture book/folktale. 5-7)Pub Date: July 17, 2018
ISBN: 978-0-399-54846-8
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
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