Next book

SECRET UNTO DEATH

A controlled, entertaining legal thriller about a lawyer dragged into a lawless conflict.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Smelser (Truth to Tell, 2016, etc.) tells the story of a small-town lawyer caught up in an escalating feud in this legal thriller.

Grant Russell has a pretty desirable life. The attorney specializes in family law at his father-in-law’s firm in quaint Arbor, Iowa. He lives with his wife and their two young daughters in a farmhouse on a big spread outside of town. One morning, while jogging down his road, Grant comes across two men in a pickup truck knocking over his neighbors’ mailboxes with a baseball bat. When Grant confronts them, they pelt him with a beer can and drive off, leaving him angry and more than a little embarrassed. He tries to forget the incident. He has enough to worry about at work; a colleague’s imminent retirement means he will become a full partner of the firm. What’s more, Lenore Patton, another colleague, has been making it clear that she wishes to sleep with him. When the truck containing the two mailbox vandals cuts off Grant in traffic, he gets the plate numbers and decides to call the sheriff, a decision which he quickly comes to second guess: “If there’s one thing I know about myself it’s that I’m not comfortable with confrontation and so I avoid it whenever possible. And as I thought about that, I had to ask myself again what the hell I was thinking in my weekend set-to over the mailboxes.” The vandals, cousins and small-time criminals named Rodney and Eugene Rickart, realize who turned them in and begin taking their revenge on Grant with increasingly aggressive acts of destruction. Even worse, Lenore Patton—spurned by Grant’s rejections of her advances—agrees to represent them in a harassment complaint against Grant. What began as a simple matter of mailbox vandalism quickly balloons into something far more sinister, and it won’t end before multiple people are dead. Smelser writes in clean, expressive prose that captures Grant’s increasing paranoia as the plot develops: “I suddenly realized I had no idea what kind of guys these were or what they were capable of. Irresponsible, hard-drinking rednecks, yes. But were they dangerous?” Grant’s insecurity is a great driving force of the narrative and lends some depth to a character who might have otherwise seemed contrived. The author has a knack for getting quickly at characters’ deeper motivations, allowing the reader to connect with them in a way that is not often seen in a legal thriller. Smelser is comfortable allowing his cast to be flawed in mundane ways, which lends the story a whiff of disturbing inevitability. The exception is perhaps the flat, manipulative Lenore Patton. Smelser guides the plot in interesting directions from start to finish, as small decisions and secrets compound to unleash unanticipated and tragic ramifications. Once the reader begins listening to Grant’s tale, they may not be able to walk away.

A controlled, entertaining legal thriller about a lawyer dragged into a lawless conflict.

Pub Date: April 9, 2018

ISBN: 978-1-5301-9990-7

Page Count: 294

Publisher: CreateSpace

Review Posted Online: May 22, 2018

Kirkus Reviews Issue: July 1, 2018

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview