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THE DOG WHO LOST HIS BARK

This quietly emotional tale is an ultimately triumphant one

A boy and a puppy overcome difficult times in this illustrated chapter book.

Beginning the tale from the puppy’s point of view, Colfer employs simple language evoking an innocent sensibility, with many words in all-caps reflecting puppyish enthusiasm. The puppy’s early days with his mother and siblings are followed by a heart-wrenching stint with the abusive couple who brings the puppy home as a present for their cruel boy. After the puppy is abandoned at the dump, Colfer switches the point of view to Patrick, a human boy, who is driving with his mother to his grandad’s house to spend the summer. Asking when his touring-musician father will arrive, Patrick is dumbfounded when his mother, instead of answering the question, asks him if he would like to have a dog. Evading the issue of his father’s allergies, Patrick’s grandfather brings him to the shelter, where he picks out (readers will be so relieved) the abandoned puppy and names him Oz. Oz, however, is so traumatized he stays in his crate until, by accident, Patrick’s grandfather discovers that Oz enjoys music. Patrick digs out his violin and plays for him, eventually gaining his trust. Just as all seems well, Patrick learns that his father is leaving his mother—and now it is Oz’s turn to rescue Patrick. Lynch’s realistic pencil illustrations greatly amplify the story, their sensitively rendered human and dog expressions echoing the varying tones of the text. Humans are depicted as white.

This quietly emotional tale is an ultimately triumphant one . (Fiction. 7-10)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5362-0442-1

Page Count: 144

Publisher: Candlewick

Review Posted Online: June 9, 2019

Kirkus Reviews Issue: July 1, 2019

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CODY HARMON, KING OF PETS

From the Franklin School Friends series

Another winner from Mills, equally well suited to reading aloud and independent reading.

When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.

As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?

Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)

Pub Date: June 14, 2016

ISBN: 978-0-374-30223-8

Page Count: 144

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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