TO THE BRIGHT EDGE OF THE WORLD

Heartfelt, rip-snorting storytelling.

A husband and wife explore separate but parallel frontiers in the wild Northwest of the late 1800s.

Ivey’s superb second novel (The Snow Child, 2012) is mainly composed of two braided journals. One is by Allen, an Army colonel who fought Apaches in Arizona in the 1860s but by 1885 has a gentler temperament and wants to explore the Wolverine River in southern Alaska. The other is by his wife, Sophie, who’d be eager to join him if it weren’t for know-your-place lectures from fellow Army wives. Allen and his small band endure a host of familiar travails—scarce food and ammunition, bad weather, skeptical natives. But his secret, unofficial diary also includes more surrealistic experiences, like a discovered newborn baby whose umbilical cord is connected to a tree root. Back at the Army barracks, Sophie discovers she’s pregnant but soon miscarries—most likely due to the opium tinctures prescribed by her condescending doctor—and discovers photography as a way to navigate through her grief. Ivey means to say that Allen and Sophie are equally pioneering to the extent that society of the time allowed them to be, but first and foremost this is an exceptionally well-turned adventure tale, rich with Allen’s confrontations with brutal snowstorms and murky underwater beasts and Sophie’s more interior efforts to learn her craft and elbow local busybodies out of her way. Brief, poetic entries and sketches by a member of Allen’s cohort give the story a series of lyrical grace notes, and Ivey anchors the tale in present-day correspondence between Allen’s great-nephew and the curator of a museum to whom he’s sent Allen’s journals. Those letters make an elegant and affecting argument that though the territory is tamer now, not everything that makes it spiritually inspiring has been thawed out and paved over.

Heartfelt, rip-snorting storytelling.

Pub Date: Aug. 2, 2016

ISBN: 978-0-316-24285-1

Page Count: 432

Publisher: Little, Brown

Review Posted Online: May 16, 2016

Kirkus Reviews Issue: June 1, 2016

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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