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DAUGHTER OF TIME: BOOK 1

A richly detailed, compelling story about the power of love.

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An original take on various sci-fi motifs that meditates on themes of love and humanity.

Traversing time and space, Stebbins’ space opera follows the long journey of a singularly gifted Earth girl named Ambra Dawn, who might just be the savior of the entire universe. Even as a young girl among humans, Ambra was different. Odd and strange, she possessed an ability coveted by all alien species: a gift to see the future and the past, the result of a tumor growing in her brain. Unbeknownst to the inhabitants of Earth, an insectlike alien race called the Dram rules from the shadows. Influencing culture and politics, they’re here to guide human evolution toward producing Readers—those, like Ambra, who possess the ability to guide Dram ships through the Orbs. With tendrils reaching out, Orbs allow for instantaneous space travel, but what the Orbs truly are is unknown and debated. Ambra’s idyllic life in farm country is destroyed when humans working for the Dram come and take her. In an institution, she’s tested, beaten and experimented on. Horrific surgeries mutilate and blind her, and her skull is removed to give her tumor room to grow. The only escape Ambra has is to travel through time, back into history on her own to learn and experience life. But, since the Dram don’t realize she has surpassed every other Reader in terms of power and ability, Ambra is taken from Earth and sold into slavery. Stebbins does an exceptional job creating unique, detailed alien races, from the dreadful, cruel Dram to the octopuslike Sortax who live in water and the Xix, who rescue Ambra from enslavement. Long, lean, four-armed, intelligent and kind, the Xix work to prevent cruelty against the lesser races. Two Xixians, Waythrel and Thel, are especially strong alien characters who act as guides for Ambra, helping her develop her abilities. Although the first half of the novel suffers from too much telling and too little action, the second half comes alive. Ambra, able to travel through Orbs like no one before, takes on the Dram in a dramatic conflict that leads to her facing the Dram emperor. In order to free the universe of the Dram scourge, Ambra must make a heart-wrenching choice: the universe or Earth. Eventually, the novel takes a slightly odd turn toward metafiction, as Ambra informs the reader that they, too, have a part in saving the Earth.

A richly detailed, compelling story about the power of love.

Pub Date: May 1, 2013

ISBN: 978-0989000444

Page Count: 312

Publisher: Twice Pi Press

Review Posted Online: June 14, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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