The potential horrors of white, middle-class, suburban public school are well-documented and creatively managed here, though...
Alan Cole starts out as a coward but doesn’t end as one in this harrowing but inspiring debut.
White seventh-grader Alan’s home life has taught him that it’s best to stay out of the way. He conceals his crush on Connor Garcia. He doesn’t want friends but eats lunch at the Unstable Table with Madison Truman, who’s bullied about his weight, and Zack Kimble, who cheerfully lives by his own rules. He tries to avoid abuse from his father and violence from his brother Nathan. His mother is a largely passive figure, though she does shed some (unsatisfying) light on the source of their familial trauma. Nathan, who is both sympathetic and frightening as a victim and perpetrator of abuse, wants to crush his brother once and for all in an ongoing contest Nathan calls Cole vs. Cole. As the brothers struggle through their list of tasks for this particularly trying game of CvC—from getting kissed to standing up to their father—Alan realizes his own potential for strength, the value of friendship, and the warped reasoning behind his father’s rage. Alan’s burgeoning gay identity is only a small part of his larger angst, and his slow but steady growth from cowed endurance to self-assured advocacy makes for a rewarding, if at times difficult, read. The intensity of the family relationships is so effectively rendered that this book has the potential to appeal to older teens as well as a middle school audience.
The potential horrors of white, middle-class, suburban public school are well-documented and creatively managed here, though readers could easily come away either contented or depressed. (Fiction. 11-16)Pub Date: Sept. 5, 2017
ISBN: 978-0-06-256702-4
Page Count: 272
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
An intimate novel that beautifully confronts grief and loss.
It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.
Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.
An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)Pub Date: Feb. 2, 2021
ISBN: 978-0-06-304742-6
Page Count: 224
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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