Troubling, detailed account of race and racism in today’s media.

RACE-BAITER

HOW THE MEDIA WIELDS DANGEROUS WORDS TO DIVIDE A NATION

Tampa Bay Times TV and media critic Deggans’ first book dissects “the powerful ways modern media often works to feed our fears, prejudices, and hate toward each other.”

Gone are the days when a TV network could garner a large, diverse audience that might engage in a shared dialogue on race by viewing, say, the 1977 TV series Roots. Instead, race, as well as bigotry, has become the purview of niche outlets, from cable TV and talk radio to the endless media sources of the Internet. Such niche outlets, by and large, are dominated by conservative commentators who, in search of anger and outrage that builds ratings, serve and reinforce the racial fears and hatreds of their select audience. This audience tends to be overwhelmingly white, male, older and wary of people of color. And so new and old stereotypes against racial minorities persist. Viewers and listeners, having their views confirmed, neither trust nor listen to opposing viewpoints, and true dialogue on race becomes an impossibility. Deggans traces the history of this rise of “prejudice as a business model,” but he also puts it into the larger context of the failure of media in general to address issues of race. When people of color are portrayed at all on TV entertainment programs, and that is not often enough, they may tend to be placed within specific one-dimensional stereotypes such as “The Angry Black Woman.” TV news, for its part, lacks true diversity—no cable news channel has a person of color as anchor during prime time. Deggans concludes that acting to refute racism whenever it appears in the media is both possible and necessary for understanding across races.

Troubling, detailed account of race and racism in today’s media.

Pub Date: Oct. 30, 2012

ISBN: 978-0-230-34182-1

Page Count: 288

Publisher: Palgrave Macmillan

Review Posted Online: Aug. 30, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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