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THE TENANT LAWYER

A notable debut that infuses an engrossing legal procedural with deep empathy.

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A young attorney struggles to humanize the law—and himself—in this quietly absorbing legal tale.

Fired from his high-powered Boston law firm for an unseemly attack of conscience, 32-year-old Mark Langley has descended to the lowest rung of the lawyering trade as a legal services attorney doing eviction cases in his blue-collar hometown of Worcester, Mass. In the assembly-line proceedings of Housing Court, there’s little he can do for his impoverished clients—many of them tenants in the town’s bleak housing projects—except postpone the day they’ll be evicted. Then a case comes along with a mixture of technicalities and pathos that grabs his attention: a single mom faces eviction from public housing because her son was arrested on drug charges; a guilty verdict would cause her other son to lose his college scholarship. While he pursues a long-shot trial in the case, Mark also squares off against the haughty mandarins in his old firm to challenge the corrupt diversion of anti-poverty funds to a well-connected developer. In his first novel, Dinnocenzo, himself an attorney with legal-services experience, ventures into John Grisham territory—a callow, idealistic lawyer battles the establishment—but with less histrionics and more social insight. Poverty, chaos and infuriating regulations precipitate one crisis after another in the lives of his underclass strivers. The seemingly low-stakes Housing Court becomes an arena of tense legal strategizing and real drama, where verdicts destroy families. Writing in a limpid, nuanced prose, Dinnocenzo crafts sharp but subtle portraits of his characters and their agonizing dilemmas. Mark in particular is a flawed but appealing hero plagued by self-doubt and courtroom stage fright. He’s torn between glittering yuppie Boston and dilapidated Worcester as he obsessively sharpens his arguments in pursuit of justice for people who can’t afford it otherwise.

A notable debut that infuses an engrossing legal procedural with deep empathy.

Pub Date: Nov. 18, 2011

ISBN: 978-1462004775

Page Count: 264

Publisher: iUniverse

Review Posted Online: Feb. 10, 2012

Kirkus Reviews Issue: March 1, 2012

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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