IN DAYS OF AWE

Goodman's third novel (The First I Saw Jenny Hall, High on the Energy Bridge)—a tale more programmatic than lively—concerns a baseball player, banned from the bigs for gambling, who gives up womanizing, makes peace with his father, and eventually gets his life together. ``Jewish Joe Singer'' is down on his luck: he's lost his wife and two kids, fans hate him, and he spends most of his time bikini- hunting on southern California beaches. The source of his troubles, it turns out, is his father, Jack, a transplanted Russian whose wife goes batty and who leads Joe astray. As for Joe's ex-wife, ``Joe was the first Jew she'd ever met, and she married him.'' Mainly, though, Joe is between the sheets with a string of beauties—until Emile, a psychopathic husband, blows his wife away on Joe's doorstep (``You think you can ball my wife, then slip back into your Gucci suits, your after-the-game interviews?''). Meanwhile, Joe ``progressed from making love to other men's wives to making love to one man's wife while falling in love with another man's girlfriend.'' Fannie, his true love and the current lover of Reverend Des, gets him involved in gun-control. And the baseball commissioner tells Joe that he'll be reinstated if he gives up politics and if he turns over the man who led him astray, so Joe visits his father. By book's end, the psychopath has killed Des and shot Joe, but Joe recovers in time for his father's wedding (after learning a few things about trust and honor and all that). As for Fannie, well, she and Joe might or might not make it—but the chances are good as Joe goes to the ballpark to ask his teammates to forgive him. A too-contrived comeback story, despite a few moving father- son confrontations.

Pub Date: May 15, 1991

ISBN: 0-394-58912-2

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1991

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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