An often riveting tale that develops its characters as well as it does its steadily paced narrative.


From the Astrodiac series , Vol. 1

In Kitchen’s debut fantasy/adventure, a supernaturally gifted, elite few become targets for murder.

Crime is a rarity in the land of Austere, thanks largely to the Art of War Law, which prohibits any citizen from bearing arms or forming armies. The law was passed by the 13-member Hierarchy, 12 of whom are Signed—marked at birth with an astrological sign and a special power. Sarai Divens, a Signed, telekinetic Capricorn, challenges the current Hierarchy Capricorn member, Hex; she aims to get justice for her mother’s murder. Meanwhile, Ian Radke, an Unsigned, craves vengeance against the man responsible for his father’s death. The long-standing Scorpio of the Hierarchy, Julius Blackwood, defies the law by secretly recruiting an army of his own to defend against those who would harm Signed people. Sure enough, a group of Unsigned slowly emerges that’s dead-set on eliminating not just Signed Hierarchy members, but all Signed citizens. Potential obstacles for that group include Cade Henson, who’s looking for his late father’s mysterious research, and Ava, who somehow bears the mark of four Signs instead of the usual one. Readers will find the powers on display to be familiar (Aries people have superior strength; Virgos have a healing capability). But Kitchen excels at molding and interweaving his characters’ individual stories. Ava, for example, is shown to have the potential to be the most formidable citizen in Austere, but she’s also still a teenager who often can’t control her powers. In her initial encounter with Ian, he’s fleeing the consequences of one of his many fights, resulting in an intense meet-cute in which their ensuing romantic feelings happen organically. The author also aptly and subtly incorporates social themes into the narrative, such as discrimination—the ruling Signs, for example, reputedly make up a mere 10 percent of the population. Several unresolved subplots practically guarantee a sequel to come.

An often riveting tale that develops its characters as well as it does its steadily paced narrative.

Pub Date: Aug. 1, 2017

ISBN: 978-0-9992324-0-8

Page Count: 428

Publisher: CreateSpace

Review Posted Online: Aug. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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