An entertaining, if sometimes-unsettling, novel that adeptly contextualizes the reasons for its cast’s fragile psyches.


Several characters fight the demons of their tormented childhoods and strive to be on “the right side of zero” in this dark tale.

Linnell’s (Reflex Blue, 2014) novel is told from the perspectives of three troubled residents of a small Minnesota town: Denise Dupree, Carl, and Rex. Denise struggles with alcoholism. Carl, who pines for her, believes that he suffers from a trifecta of mental illnesses: social anxiety, schizophrenia (including hearing a voice that calls him “Eddie”), and obsessive-compulsive disorder. Rex, Denise’s heedless boyfriend, seems plagued by uncontrollable sexual desire and sociopathy. The reader learns about their lives through Carl’s first-person narrative; Rex’s entries in his “Little Black Book,” in which he logs his sexual conquests; and Denise’s letters to her estranged father. It becomes clear that their problems are, in part, due to their respective absent parents: Carl’s mother and father spent more time at their business than with their son; Rex was raised by his Uncle Smokey, a reprobate; and Denise’s emotionally distant father apparently ignored the fact that Denise was sexually abused. (In one letter, she woefully asks, “did you really not know what your older brother was up to?...You coward.”) The action effectively ramps up when one character commits suicide and two others become involved in a kidnapping; an act of vigilante murder reveals more ugly truths. The surviving players eventually try for redemption, either by helping another lost soul or by acting on revelations. Linnell’s greatest strength lies in how he constructs his various characters’ backstories. He engagingly reveals these events, which are riddled with moments of emotional neglect and instances of violence, as told in sporadic, reflective flashbacks or accounts of present-day confrontations. Overall, these revelations neatly justify the characters’ fraught emotional states. The author further enhances the plot with occasional slow-burn mysteries (who is “Eddie,” anyway?) and unexpected twists, such as when a side character is revealed to have played a pivotal role in a major character’s past.

An entertaining, if sometimes-unsettling, novel that adeptly contextualizes the reasons for its cast’s fragile psyches.

Pub Date: May 8, 2018

ISBN: 978-1-5369-6489-9

Page Count: 346

Publisher: CreateSpace

Review Posted Online: Sept. 28, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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