Slapdash plotting, careless prose, a hero not-to-like: give it a pass.
The president’s national security advisor is black, brilliant, brave, and boring, in this dreary shoot-’em-up by the author of The Stranger (not reviewed).
Meet Richard Whelan, not all that long out of Harvard and now ensconced in the corridors of power, big-time. President Edgar Roswell wouldn’t think of making a foreign policy move without him. CIA director Mike Monroe is so jealous of Whelan’s style and intimidating smarts that he can't sleep nights. And women love him to pieces. One of them, white and gorgeous Mary Jacobs, daughter of a D.C. powerbroker, is his current sweetheart—until she’s found murdered in her plush D.C. apartment. Found by Richard, who is immediately a suspect. It’s a frame, of course. Someone wants to discredit him at a time when the nation needs him most. An international pressure cooker is about to boil over (Richard refers to it as “this India thing”), and only his astute counsel can contain the use of weapons of mass destruction. He goes on the run from racist cops, the Secret Service, the CIA, and assorted others, all with secret agendas aimed at our hero. “Maybe good the world can accept,” he tells himself, “but great, at least from me, Richard Whelan, the world does not seem ready for.” Meanwhile, black and gorgeous Deputy Undersecretary of State Bettina Freeman remains true. She comes to his aid and pays the price. The corrupt Monroe kidnaps her and proposes a swap: Richard’s life for Bettina’s. No way, says Richard. Full clip in his trusty Glock, he rushes the bad guys, takes out five or six of them, rescues Bettina from her evil captors—and then the rest of the world from nuclear catastrophe.
Slapdash plotting, careless prose, a hero not-to-like: give it a pass.Pub Date: Oct. 1, 2001
ISBN: 0-06-621250-2
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2001
BOOK REVIEW
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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