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THE RESCUE RABBITS

More exhausting than entertaining.

Animals in trouble? Who you gonna call? Rescue Rabbits!

Ace, Chip, Dot, and Spot are the Rescue Rabbits. From Rescue Rabbit Headquarters, they use their high-tech gadgets and machines as well as their smarts to rescue animals of all species. They lift Edgar Elephant with their Rescue Rabbits Super-Excavator in order to extract a thorn from his foot. They block traffic with their Rescue Rabbits Limo to allow the Duckling family to cross the street. But their big rescue of the day begins with a call on their Special-Ops Telephone: Prince Rex the Rhino is stuck up a tree with ants in his pants and chopsticks up his nose. When they locate him, the ants and the chopsticks are easy to take care of, but getting him out of the tree proves difficult. He won’t use a ladder or a rope. The Rescue Rabbits bring in Queen Rex, who scares her kid out of the tree and promptly forgives him for using her chopsticks to free her ants from her ant farm. Seltzer’s text unfolds in a combination of speech bubbles and narrative text with tech-words highlighted in red. The perfusion of technobabble does not hide the fact that the story itself is forced. Garrigue’s Richard Scarry–esque cartoons also try too hard, and the combo makes less sense that it ought.

More exhausting than entertaining. (Picture book. 4-8)

Pub Date: Nov. 10, 2020

ISBN: 978-1-5420-4263-5

Page Count: 32

Publisher: Two Lions

Review Posted Online: Sept. 14, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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PEPITA MEETS BEBITA

A heartwarming reminder to embrace change.

A dog who belongs to an expecting couple adjusts to home life as a new baby arrives.

Pepita, the family pet, is beloved and still so little they call her Bebita (baby girl). But Pepita’s world is changing as her Mami and Papi await the arrival of a baby. Pepita is used to being spoiled “with treats and tummy rubs and my favorite fluffy pillow….But lately, things have been changing.” As the home gets new additions like a crib and gifts from the grandparents, Pepita feels left out, no longer the center of attention. Once the baby arrives, Pepita tries to adjust but is kept up at night by crying and doesn’t get playtime like before. But Pepita’s sweetness shines through as she finds ways to help out and bond with the new baby. “I feel so proud to be the big sister,” she concludes. The book is sprinkled with Spanish phrases, reflecting that Pepita is part of a Latine household; readers unfamiliar with Spanish will find the glossary helpful. Illustrations are warm and cuddly throughout, and the story is highly relatable; soon-to-be big siblings fretting over a new arrival will find it especially comforting. (This book was reviewed digitally.)

A heartwarming reminder to embrace change. (Picture book. 4-8)

Pub Date: Sept. 12, 2023

ISBN: 9780593566985

Page Count: 40

Publisher: Knopf

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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I AM NOT A CHAIR!

While the slapstick may appeal to readers, sadly, this book is so confused and arbitrary, most of the humor falls flat.

A beleaguered giraffe tries to communicate that he isn’t a chair.

Poor Giraffe: on his first day in the jungle he’s seen as a chair by the other animals. Of course, giraffes aren’t actually found in jungles, and there’s little evidence of a jungle in the illustrations. While Giraffe does look a little like a chair, the fact that he has eyes and a mouth and nose and other features that distinguish the other animals from their seats makes it hard to understand why he is mistaken for a chair. But it’s all about the gag. Burach uses action-filled spreads to indicate a series of incidents that literally impede Giraffe’s speech, but when he is finally able to speak up for himself, he chooses instead to make a fake chair that looks like him. When that doesn’t work, he’s taken home by a dull-witted human who also uses him for a chair. Upon escaping, he is used as a chair by a lion waiting for dinner. When Giraffe finally decides to speak up and clear up the misunderstanding, he saves his own skin by scaring the lion, who thinks he’s a talking chair. The childlike drawings emphasize googly eyes, silly grins, a multitude of sound effects in emphatic display type, and lots of physical humor.

While the slapstick may appeal to readers, sadly, this book is so confused and arbitrary, most of the humor falls flat. (Picture book. 4-8)

Pub Date: Feb. 14, 2017

ISBN: 978-0-06-236016-8

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 15, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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