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THE WAR OF THE POOR

A slim book in which every word is important, one that deserves to be read multiple times.

A slender, vivid history of a 16th-century populist revolt that holds relevance for current times.

In his latest, Vuillard, the winner of the 2017 Prix Goncourt for The Order of the Day, follows Thomas Münzter (c. 1489-1525), a zealous German preacher “who rejected the debates among learned theologians; esotericism made him sick. He appealed to public opinion.” Throughout this brief but powerful, moving book, the author clearly and poetically demonstrates Münzter’s passion for reform. “He is enraged,” writes Vuillard. “He wants the rulers’ skins, he wants to sweep away the church, he wants to gut all those bastards….He wants to put an end to all that pomp and miserable circumstance. Vice and wealth devastate him; their conjunction devastates him.” As the narrative progresses, the initial feeling of disjointedness morphs into a delightful thread of connection as the author pinballs around the 16th-century landscape. He chronicles the plight of the repressed serfs in Leipzig, Prague, Rome, and Avignon. Like most fanatics, Münzter could occasionally come across as a raving lunatic, leading the poor to raise the wrath of God against the godless rulers who suppressed them. The availability of the Bible in the vernacular encouraged Münzter to receive God’s direct message through visions and dreams. People flocked to hear him conduct services in German. He rejected Thomas Aquinas and Saint Augustine in favor of Erasmus and Raymond Lully, though he eventually dismissed all theologians. In addition to his Prague Manifesto, Münzter also wrote Protestation, which argued that “the crucial experience of humanity was suffering,” the only way that one “could receive the word of God.” Summoned to justify his work to the Elector of Saxony and the crown prince, he foretold the rise of the silent flocks who would destroy them.

A slim book in which every word is important, one that deserves to be read multiple times.

Pub Date: Oct. 20, 2020

ISBN: 978-1-63542-008-1

Page Count: 96

Publisher: Other Press

Review Posted Online: Aug. 3, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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