A slender, vivid history of a 16th-century populist revolt that holds relevance for current times.
In his latest, Vuillard, the winner of the 2017 Prix Goncourt for The Order of the Day, follows Thomas Münzter (c. 1489-1525), a zealous German preacher “who rejected the debates among learned theologians; esotericism made him sick. He appealed to public opinion.” Throughout this brief but powerful, moving book, the author clearly and poetically demonstrates Münzter’s passion for reform. “He is enraged,” writes Vuillard. “He wants the rulers’ skins, he wants to sweep away the church, he wants to gut all those bastards….He wants to put an end to all that pomp and miserable circumstance. Vice and wealth devastate him; their conjunction devastates him.” As the narrative progresses, the initial feeling of disjointedness morphs into a delightful thread of connection as the author pinballs around the 16th-century landscape. He chronicles the plight of the repressed serfs in Leipzig, Prague, Rome, and Avignon. Like most fanatics, Münzter could occasionally come across as a raving lunatic, leading the poor to raise the wrath of God against the godless rulers who suppressed them. The availability of the Bible in the vernacular encouraged Münzter to receive God’s direct message through visions and dreams. People flocked to hear him conduct services in German. He rejected Thomas Aquinas and Saint Augustine in favor of Erasmus and Raymond Lully, though he eventually dismissed all theologians. In addition to his Prague Manifesto, Münzter also wrote Protestation, which argued that “the crucial experience of humanity was suffering,” the only way that one “could receive the word of God.” Summoned to justify his work to the Elector of Saxony and the crown prince, he foretold the rise of the silent flocks who would destroy them.
A slim book in which every word is important, one that deserves to be read multiple times.Pub Date: Oct. 20, 2020
ISBN: 978-1-63542-008-1
Page Count: 96
Publisher: Other Press
Review Posted Online: Aug. 3, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: HISTORY | WORLD | GENERAL CURRENT EVENTS & SOCIAL ISSUES | GENERAL HISTORY
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BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
17
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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