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MURDER ETOUFFEE

Uneven literary gumbo, with some ingredients more tasty than others.

A post-Katrina melange of short stories, cultural history and recipes.

Wilder (Ghost of a Chance, 2005) transmutes his evident love of New Orleans, especially its food, into a collection of ten stories. Interspersed are recipes for regional specialties such as red beans and rice, which, relying on bouillon cubes and lacking smoked sausage or pickled pork, sounds inauthentic. The recipe for Vietnamese Jambalaya, with its curious mix of ingredients, sounds more promising. As a “lagniappe,” Wilder includes mini-essays and factoids on the history and culture of New Orleans, including the founding of the city, the history of the Cajuns and the practice of voodoo. Most of the fictional pieces, which constitute the bulk of the text, are narrated by Wyatt Thomas, a private investigator whose only qualifications for his job appear to be an ear for gossip and an affinity for seedy watering holes where the patrons chug Dixie beer and knock back oyster shooters. The true hero of the volume is New Orleans, hyped as “the most unique city in the United States, and perhaps the world,” where the scents are always piquant and the coffee always chicory-laced. For the most part, the short stories end happily, with broadly drawn characters in predicaments typically born of domestic strife. The final stories, “Diamonds in the Night” and “A Talk with Henry”–neither is narrated by Wyatt–rise above the rest for their narrative economy and deeper psychology. As with the others, the setting dominates, with its steamy nights, the cloying scent of bougainvillea and the tomcats slinking through the alleys.

Uneven literary gumbo, with some ingredients more tasty than others.

Pub Date: May 1, 2006

ISBN: 1-58939-860-2

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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