A satisfying, well-crafted sequel that will leave readers looking forward to what might happen next to “that fantastic...
There’s a tear in the Tearling, and Tears are falling.
Seriously. As Johansen (The Queen of the Tearling, 2014) opens the latest installment in her sword-and-sorcery series, Tear troops stationed on the borders of the kingdom find themselves battling an invasion by the Mort—you know, the bad guys across the line in the Mortmesne. It’s a good thing Col. Hall is on the job, a fellow fate has put in just the right place at the right time: “Fortune had taken Hall away from Idyllwild,” Johansen intones, “not good fortune, but the backhanded sort that gave with one hand while it stabbed with the other.” Many stabbings, catapult launches, and other gruesome maneuvers later, the Mort are repelled. (It helps that, in a Tolkienian move, the hawks, real hawks, are on the side of the doves, metaphorical ones.) But the Mort'll be back, and an ugly picture will get even uglier. Meanwhile, the queen, our ever resourceful Kelsea, is getting prettier. At least after a fashion: “She wasn’t beautiful, Kelsea thought, not by any stretch. But she was no longer plain either. She looked like a woman someone might actually remember.” Whether Meryl Streep or Merlin, Kelsea rises to the occasion, despite all the obstacles that the Morts—and Johansen, for that matter—throw in her path. But is she the True Queen? Ah, that’s for events to decide, nicely unfolded in this long—but not too long—yarn. Johansen is a skillful maker of fantasy worlds, weaving medieval and modern themes together with the comprehensiveness of a George R.R. Martin, though without his penchant for overly long episodes of violence that would make Sam Peckinpah blush. She does both battle scenes and quiet conversations equally well, though, with all the requisite plotting, regal self-doubt, and good-vs.-evil grappling required of the genre.
A satisfying, well-crafted sequel that will leave readers looking forward to what might happen next to “that fantastic vision inside Tear’s jewel” and those who treasure it.Pub Date: June 9, 2015
ISBN: 978-0-06-229039-7
Page Count: 528
Publisher: Harper/HarperCollins
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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