A necessarily honest and emotional account that ends in earned redemption.
A deeply confessional memoir by a widely published advice columnist who went all the way down the rabbit hole.
In her first book, Khar, who writes the “Ask Erin” column on Ravishly, opens with a stark question from her 12-year-old son, Atticus: “Mom, did you ever do drugs?” It turned out to be a question with a voluminous answer from a woman who had kept her secrets close. The author started stealing pills in her early teens, experimented with other drugs, and ended up addicted to heroin for 15 years. Those who have read addiction memoirs before will recognize the pattern in this story: Eventually, the addict must take dope not to get high but to get “straight” enough to pretend to be a functioning human being. Then they usually suffer multiple relapses, which only add to the grief of their loved ones. Hopefully, like Khar, they can kick the habit and emerge on the other side with a semblance of a life intact. Now that she has gained some distance from her addiction, Khar is able to describe her behavior with refreshing perspective, and she is candid throughout, especially about how she continually drew people into her dangerous orbit before spontaneously pushing them away. While not as blisteringly shocking as some addiction memoirs, this contemporary take on an unfortunately too-common experience is eye-opening and relevant, especially as we continue to witness the escalation of the opioid epidemic. “I have compared my years spent in active addiction to being in a room on fire. With each passing year, with each line I crossed that I’d said I wouldn’t, those flames got bigger….And I couldn’t figure a way out of the room….The last time I detoxed—when I was pregnant with Atticus—I knew…that staying in that room would kill us both. I made a decision to walk through the flames and fortunately made it out.”
A necessarily honest and emotional account that ends in earned redemption.Pub Date: Feb. 25, 2020
ISBN: 978-0-7783-0973-4
Page Count: 352
Publisher: Park Row Books
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
A sympathetic, authoritative collective biography.
From 1929 to 1959, five women were central to a profound artistic revolution.
Drawing on memoirs, more than 200 interviews, a huge trove of archival material, and a wide range of books and articles, Gabriel (Love and Capital: Karl and Jenny Marx and the Birth of a Revolution, 2011, etc.) has created an ambitious, comprehensive, and impressively detailed history of abstract expressionism focused on the lives and works of Elaine de Kooning, Lee Krasner, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler. The author effectively sets her subjects in historical and cultural context, including “the ever-changing role of women in U.S. society, and the often overlooked spiritual importance of art to humankind.” The last goal is realized best through the testimonies of the women themselves about the significance of art to their spiritual well-being. Of different generations and often rivals, they did not cohere into a group, but they shared “courage, a spirit of rebellion, and a commitment to create.” They noisily railed against being ignored by the art establishment, angry that their husbands or lovers (Elaine’s Willem de Kooning and Krasner’s Jackson Pollock, for example) won attention and accolades while they were assumed “to accept the part of a grateful appendage” or, at best, a muse. Pollock, touted in a Life magazine profile as possibly “the greatest living painter in the United States,” emerged as the first artist celebrity. Gabriel takes her title from a groundbreaking exhibition organized, mounted, and publicized by artists in May 1951 that made the New York School of painters—the term was coined by Robert Motherwell—instantly visible. Although gaining critical attention, the first generation of New School artists struggled financially, working and living in unheated studios, subsisting on meager meals, trading art for food, and fueling themselves with copious amounts of alcohol. Their “community of goodwill and creativity” was undermined by betrayal, infidelity, and drunkenness. The author traces the changing art world with the influx of new galleries and “a tidal wave of money” as art caught on as an investment.
A sympathetic, authoritative collective biography.Pub Date: Sept. 25, 2018
ISBN: 978-0-316-22618-9
Page Count: 944
Publisher: Little, Brown
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
As provocative as it is amusing—an edifying journey through the mind of a major talent.
In this probing collection of essays and lectures given during his tenure as Cornell University's “professor at large,” Cleese (So, Anyway…, 2014, etc.) reminds us that his intelligence and wit extend well beyond Monty Python and Fawlty Towers.
The beloved British comic actor, writer, and director began his academic association with Cornell in 1999, when he was invited to serve as a visiting professor, holding forth on everything from The Life of Brian and the nature of religion to creativity, screenwriting, group dynamics, and physiognomy. He has continued guiding these scholarly workshops and classes flecked with humor for almost 20 years. This book assembles the best of them in a thoughtful, engaging way—at least to liberal thinkers—though the author sometimes succumbs to broad generalizations. Apart from his look at frameworks that fire creative energies, of particular note is his discussion of the dichotomy between the authoritarian impulse of organized religion and the liberating mysticism expressed by Buddhism. Cleese also offers trenchant (if familiar) commentary on political and cultural matters while relating much practical knowledge about film and TV, including the eventual demise of the Pythons. Although aspects of it are somewhat dated, movie buffs will savor a long, detailed, often eye-opening interview Cleese conducted in 2000 with respected screenwriter William Goldman—during which Cleese also recalls his experiences writing and performing in A Fish Called Wanda. In “The Human Face,” the author talks to developmental psychologist Stephen J. Ceci, and the two brilliantly explore the parameters of perception and recognition, with an illustrative aside on the “golden mean.” Cleese, 78, reveals a sharp but humane sensibility as well as a wicked sense of humor when it comes to human frailty. What surprises is the depth of his understanding.
As provocative as it is amusing—an edifying journey through the mind of a major talent.Pub Date: Oct. 15, 2018
ISBN: 978-1-5017-1657-7
Page Count: 232
Publisher: Cornell Univ.
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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