A promising thriller about a famous serial killer in which the suspense prematurely dissipates.
A novel offers a new perspective on one of history’s most notorious figures.
This 19th-century tale starts innocently enough with two Malay boys, lonely rich kid Maurice and Mawken, the poor local boy he befriends. At first, Maurice educates the illiterate Mawken, who in turn gives him advice. But as Maurice grows up, he yearns to strike out on his own and to leave Mawken behind. Before that can happen, the two end up on the run after the mysterious murders of their parents, supposedly by pirates and witnessed only by Mawken. The two find work on a cargo ship, with Maurice as a cook and Mawken as a crew member. Partway through the journey, Maurice witnesses Mawken kill the ship’s brutal captain, but he stupidly picks up the murder weapon and is blamed for the crime by his fellow crewmates. Luckily, a storm severely damages the ship and Maurice is briefly free of his past. Then Mawken shows up again, and death follows him, with the kindly but weak-willed Maurice unable to escape his dangerous friend: “There was no question or indication I had any recourse but to follow his plan. It was as if he made the decisions and I meekly followed.” Maurice is the unfortunate observer of a series of gruesome murders of women, first in Austin, Texas, and later in the slums of London, which leads to the Jack the Ripper mythos. The strength of Lee’s (Aquasaurus, 2016, etc.) intriguing second novel is the well-researched, vivid passages describing life aboard a cargo ship and in 19th-century Austin and London. The narrative moves along swimmingly in those parts. But the author tips his twist ending way too soon. In addition, anyone who gets close to Maurice tends to disappear quickly, sometimes permanently, while Mawken prefers to stay in the shadows (“I am not seen if I don’t want to be seen”). This means there isn’t much of a cast to experience other than the two polar-opposite main characters. The key question that remains is how long will it take Maurice to realize what readers already have.
A promising thriller about a famous serial killer in which the suspense prematurely dissipates.Pub Date: July 31, 2017
ISBN: 978-0-9971284-8-2
Page Count: 354
Publisher: Aim-Hi Publishing
Review Posted Online: March 14, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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