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THE ARISTOCRAT

A first English translation of an intense and disturbing short novel, originally published in 1928, by an obscure Moravian-born writer best known for his friendship with Franz Kafka and for his later novel The Eyewitness (1977). ``The Aristocrat'' is Boâtius von OrlamÅnde, who narrates in a nervous present tense the story of his unhappy years at Onderkuhle, a boarding school for scions of wealth and privilege who are destined to be respected and to command (``not to be courageous, but to show courage was what was demanded''). Boâtius, gloomily resentful over his separation from his family, grows separated also from the expectations of his class: He fears death (which he refers to as ``D.'') and broods over other boys' ascensions to courage and manliness, qualities he suspects he'll never possess. A kind of grudging celebrity attaches to him after he ``breaks'' a spirited stallion and after he appears to save a schoolmate from drowning. But Boâtius knows that he pushed the boy under water in the first place, and that his feeling for animals in fact evinces his displacement from what others call normality (``I love animals greatly, but something of this love is envy''). When (in 1913) Onderkuhle catches fire and burns to the ground, Boâtius's ``heroic'' sheen is also burned away. He returns to his native city, goes to work in a turbine factory, and only gradually reestablishes contact with his unloving mother and beloved father, settling contentedly into the anonymity and mediocrity he knows he was born for. Weiss eschews narrative logic, concentrating instead on sequences of images and ideas dictated by his troubled protagonist's moods. The book's best moments include superbly sensual, almost Lawrencian descriptions of animalsespecially horsesand such unforgettable pictures as that of Boâtius looking into a star-filled night sky, overpowered by a sense of his own smallness and mortality. Expertly translated minor-key work, and a welcome addition to the growing body of modern European fiction available in English.

Pub Date: Aug. 1, 1995

ISBN: 1-85242-262-9

Page Count: 208

Publisher: Serpent’s Tail

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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