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BENEATH THE SURFACE

THE LOST BOY

A hyperdetailed addition to the sci-fi genre.

In her debut, Grey Wolf delivers a highly detailed, densely populated sci-fi adventure.

In this first volume of her meticulously plotted Beneath the Surface saga, Grey Wolf describes a brutal future society in which humans’ ingenuity and survival instincts lead to devastating consequences. The expanding sun threatens to destroy the Earth in the 38th century, so humans set off in arklike spaceships for planets with ancient Greek and Norse names (Freya, Titan, and so on). Such a mass exodus should provide an opportunity for nations to reimagine and improve their societies—but instead they engage in bloody wars, racism and enduring animosity as they grab for resources. Grey Wolf moves from a broad description of this fictional universe to focus on the story of Erren Archer, a boy born on a spaceship bound for the planet Midgard, and his older brother Sean, both of whom have telepathic powers. When the boys are separated, they must use their survival skills and unique powers to reunite. Grey Wolf’s worldbuilding is so complete that she includes an extensive index of calendars (such as “Freya’s Tertiary Sub-Year” and “Days of the Week: A Brief History”), geographical and technological maps, an appendix of abbreviations and explanations of spiritual systems; the book even provides intermittent original poetry that strives for literary gravity. The writing style tends to tell more often than show, but readers more interested in plot and setting will likely forgive occasional stiff dialogue and sketchily drawn characters. At more than 600 pages, readers may find this initial installment hard going at times, but Grey Wolf’s universe is simply too wide-ranging for anything less.

A hyperdetailed addition to the sci-fi genre.

Pub Date: Nov. 1, 2012

ISBN: 978-1480200456

Page Count: 622

Publisher: CreateSpace

Review Posted Online: Dec. 18, 2012

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THE HEMLOCK QUEEN

From the Nightshade Crown series , Vol. 2

Dark magic, romance, and divinity.

What do you do when the voice in your head is real?

Lore, Bastian, and Gabe are all still alive following the events in The Foxglove King (2023), despite a ritual meant to take Lore’s life and usher in a new age for the god Apollius. But Lore, determined to live despite—or perhaps because of—her deep and unyielding connection to the magical death force Mortem, is unwilling to be used as a tool. Now that Bastian is no longer prince but Sainted King, Gabe is Priest Exalted, and Lore is the king’s deathwitch, her safety should be secure. The court, however, distrusts Lore and her uncanny powers, and even more dangerous are the gods, leaning ever closer and perhaps not so separate from the world as a thwarted ritual might imply. Bastian has been changing, able to control Spiritum, Mortem’s mirror image, in new and powerful ways, but also acting more erratic and strange. Meanwhile, the voice in Lore’s head is growing louder. To make matters worse, Gabe and Bastian can hardly look at each other, while Lore feels torn between the two of them and in need of both. In the second volume of the Nightshade Crown series, things go from bad to much worse, while a familiar gothic atmosphere looms oppressively around the characters. As Lore strives to keep as many people as safe as possible, others scheme with sinister forces and powerful magic. In a tense and atmospheric installment, Lore moves quickly between heart-pounding romantic encounters and adrenaline-filled moments facing danger and death.

Dark magic, romance, and divinity.

Pub Date: April 9, 2024

ISBN: 9780316435291

Page Count: 480

Publisher: Orbit

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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