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DISCOVERING YOUR OPTIMUM 'HAPPINESS INDEX' (OHI)

A complicated but intriguing breakdown of an emotion many take for granted.

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A comprehensive study examines the nature of true happiness—and the quest to find it in modern society.

The authors’ nonfiction debut operates on the assumption that human happiness is an extremely complex and multilayered thing rather than a simple response to circumstances. It’s an inner compulsion, as the husband-and-wife team clarifies: “Something innate within the human spirit cries out for something deeper, something more lasting and something more profound than material things to bring us to a more sustained state of happiness.” The book anatomizes dozens of aspects of happiness—social, spiritual, moral, physical, and intellectual—and ranges them along a scale designed to help readers quantify their own specific happiness indexes. The authors are empathetic but also cleareyed, and they cast their inquiries over many kinds of societies, assessing all the various pragmatic factors that can determine a person’s happiness. “We have seen,” the authors write, “how…happiness takes flight due to poor nutrition, deficient diet, failing health, inadequate housing, and education, underpinned by the lack of money.” The authors’ analyses of the origins and deployment of happiness are uniformly thought-provoking, although their importation of religious elements can at times be confusing. For instance, they list as “non-religious” economic principles such prompts as “stay focused,” “learn new skills,” and “repair rather than replace,” and as “religious” economic principles such dictums as “guard against the impulse to be unfair,” “be generous with excess wealth,” and even “exercise justice and mercy”—with no real elaboration on why the former are secular and the latter religious. But such categorical confusion is rare in a text that’s for the most part exceedingly precise about the sources and textures of happiness, from the key role that education plays to the part that the improvement of general human rights has served to increase joy globally. The liberal use the authors make of their own personal experiences adds an element of warmth to their systematic appraisals, and their compartmentalized grid for assessing personal happiness should give seekers of contentment a great deal to think about.

A complicated but intriguing breakdown of an emotion many take for granted.

Pub Date: April 22, 2016

ISBN: 978-1-5049-8319-8

Page Count: 286

Publisher: AuthorHouse

Review Posted Online: June 9, 2017

Kirkus Reviews Issue: July 15, 2017

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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