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BUG BLONSKY AND HIS VERY LONG LIST OF DON'TS

From the Bug Blonsky series , Vol. 1

If the story feels episodic and unresolved, the jokes work, and most of the time, they work twice as well as necessary.

Some humor writers have a rule of thumb: always make the jokes funnier than they need to be. This book is much funnier than it needs to be.

When Bug Blonsky goes skateboarding, he doesn’t just let a dog ride on the board with him. There’s also a very alarmed-looking frog at the front of the board, sitting in a bowl of cereal to keep damp. “Bug” got his nickname because he’s “super wiggly and never sit[s] still” or—according to his sister—because he’s “super annoying.” He’s proud of his superpower and pictures himself in a superhero outfit with bug-eye goggles and four arms. A lot of authors and illustrators would have left off there (the drawing is quite funny), but Redmond tops the joke by listing all Bug’s abilities (“Two sets of armpits for twice as many fart sounds”). The book is almost entirely a collection of jokes. The plot can be summed up in seven words: Bug gets in trouble, over and over. The pictures often improve the jokes; they’re unpolished but effective. They almost resemble characters from graffiti art, like a much more detailed version of “Kilroy was here.” The cast is a largely white one, though Bug’s best friend, Louie, is black.

If the story feels episodic and unresolved, the jokes work, and most of the time, they work twice as well as necessary. (Fiction. 6-9)

Pub Date: Jan. 2, 2018

ISBN: 978-0-7636-8935-3

Page Count: 80

Publisher: Candlewick

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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THE ULTIMATE BOOK OF CITIES

There’s lots to see and do in this big city.

A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.

Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.

There’s lots to see and do in this big city. (Informational novelty. 6-9)

Pub Date: April 4, 2017

ISBN: 979-1-02760-079-3

Page Count: 22

Publisher: Twirl/Chronicle

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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