A thoughtfully written book that offers heartfelt, empathetic lessons without preaching to the choir.
Theologian McCaulley recounts a hardscrabble life in the South and the rise of faith in the face of childhood trauma.
As the author, a native of Alabama who grew up in “a neighborhood for people who were broke but not yet on government assistance,” writes, it’s difficult to believe in a God who allows suffering, especially the suffering of children: “Where was God on the slave ship, in the cotton fields, in courtrooms where innocent men and women were condemned to death for crimes they did not commit?” Such questions, in the end, center on the problem of evil, by McCaulley’s account, a constant preoccupation of the Black church. His faith is genuine, not motivated by the fact that, he writes, there are three paths out of poverty for someone who grew up in his circumstances: sports, the church, or dealing drugs. The author had no interest in the third option, recognizing that no drug dealers in the neighborhood lived beyond a certain young age. He chose football instead, which won him a scholarship to a university whose “spectrum ran from white conservatives to white liberals,” the latter of which thought themselves able to speak about how to repair the Black world without interacting with any Black people. Still, college allowed McCaulley to leave a home marked by addiction, imprisonment, and danger—one reason kids played sports in that neighborhood, he says, was to have a place of safety from street life until the adults got home from work—to a place that, once an injury sidelined him, allowed him to “search for a positive vision of my life that included more than being different from my father.” He clearly found it, along with marital happiness and professional fulfillment, even while fully recognizing from experience that “the path to the promised land is not always clear.”
A thoughtfully written book that offers heartfelt, empathetic lessons without preaching to the choir.Pub Date: Sept. 12, 2023
ISBN: 9780593241080
Page Count: 240
Publisher: Convergent/Crown
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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