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SAHARA SPECIAL

Sahara Jones really is Sahara Special. Although she’s given the name because she receives Special Education services, it becomes a true description of the person hidden within her. Her mother recognizes these hidden depths and demands that she be removed from Special Education and given the chance to succeed or fail by her own will. Enter Miss Poitier, usually called Miss Pointy, an extraordinary new teacher who teaches “time travel,” “puzzling,” and other odd subjects. She challenges, probes, inspires, praises, chides, and otherwise awakens Sahara and most of her classmates. Sahara has always written in her secret journals, tearing out pages and hiding them in the back of the “900” shelves in the public library for them to be found and marveled at by some future reader. Some of her writing, especially unsent letters to her runaway father, have been confiscated and placed in an official school file. Now she has a school journal, read only by her teacher. At first terrified of writing anything that will be seen by a teacher, she spends her time really listening, soaking up the evocative vocabulary that fills every discussion, and immersing herself in the poetry that Miss Pointy provides without comment or direction. When she finally allows herself to raise her hand in class, to open herself to friendships, and most of all, to write from the heart, she recognizes that she truly is Sahara Special. Codell has created a remarkable, unforgettable cast of characters. Sahara’s first-person account beautifully and poignantly captures her tenuous steps to a sense of self-understanding and maturity that is rare indeed. Oh that a teacher the likes of Miss Poitier could really survive and multiply in our regimented, standards- and test-driven public schools. An absolutely lovely debut for children from the author of Educating Esmé (1999). (Fiction. 10-14)

Pub Date: April 1, 2003

ISBN: 0-7868-0793-8

Page Count: 208

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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THE SCIENCE OF BREAKABLE THINGS

A compassionate glimpse of mental illness accessible to a broad audience. (Fiction. 10-14)

A middle school story in which parental depression manifests itself in absence.

Natalie’s vivacious botanist mother (who’s white) has retreated from life, leaving her therapist husband (who’s biracial) and daughter to fill the gaping hole she has left. With the help of an egg-drop contest and a scientific-method project, Natalie explores breakable things and the nurturing of hope. Narrating in first-person, the mixed-race seventh-grader (1/4 Korean and 3/4 white) is drawn to her mother’s book, titled How to Grow A Miracle. It reminds her of when her mother was excited by science and questions and life. With a STEM-inspired chapter framework and illustrated with Neonakis’ scientific drawings, Keller’s debut novel uses the scientific method to unpack the complex emotions depression can cause. Momentum builds over nine months as Natalie observes, questions, researches, experiments, and analyzes clues to her mother’s state of mind. Providing support and some comic relief are her two sidekicks, Dari (a smart Indian immigrant boy) and Twig (Natalie’s wealthy, white best friend). The diversity of the characters provides identity and interest, not issue or plotline. Tension peaks at the egg-drop contest, as the three friends plan to use the prize winnings to bring Natalie’s mother back to life with a gift of a rare cobalt blue orchid. Paralleling their scientific progress, Natalie reluctantly experiences her first visits to talk therapy, slowly opening like a tight bloom.

A compassionate glimpse of mental illness accessible to a broad audience. (Fiction. 10-14)

Pub Date: March 6, 2018

ISBN: 978-1-5247-1566-3

Page Count: 304

Publisher: Random House

Review Posted Online: Nov. 21, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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