Streamlining the complexities of this series by focusing on dialogue and character development rather than elaborating...

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THE PORTRAIT OF DOREENE GRAY

The staff of a supernatural magazine can’t decide if its latest mystery is a case of human trickery or something more.

When Doreene Pinter decides to auction off a portrait of herself painted by her identical twin, Maureene, the news of the sale makes the local press in Port Townsend, Wash. Although Maureene’s art has some fame in its own right, the reason for the notoriety of this particular sale is in the change of the painting over the years. Like Dorian Gray, Doreene hasn’t seemed to age a day since the painting was completed, though the painting, as in Oscar Wilde's, has fared less well. The mystery surrounding this phenomenon brings the staff of Tripping, the magazine for all your supernatural needs, to town to get the story firsthand. Helmed by fearless Scot Angus MacGregor, its editor and cofounder, Tripping also counts among its staff the firm nonbeliever Michael Abernathy and the quirky and eye-catching photographer Suki Oota. Once assembled, the crew is ready to get down to the business of finding the truth, though Angus and Michael wind up bickering about everything from the nature of the supernatural to the use of aphorisms, which Michael dryly describes as “The spray cheese of wisdom.” Fast and furious wit like this helps move the tale along, though Allbritten (Chihuahua of the Baskervilles, 2011, etc.) still insists on saddling the otherwise charming Tripping staff with Doreene’s Chihuahua, Gigi, in an effort to put a Chihuahua in every pot.

Streamlining the complexities of this series by focusing on dialogue and character development rather than elaborating everyone’s connection to Chihuahuas might expand its reach beyond readers infatuated with the breed.

Pub Date: July 3, 2012

ISBN: 978-0-312-56916-7

Page Count: 288

Publisher: Minotaur

Review Posted Online: July 22, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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