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CONCEALED

MEMOIR OF A JEWISH-IRANIAN DAUGHTER CAUGHT BETWEEN THE CHADOR AND AMERICA

A moving, engaging investigation of culture and family.

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Amini’s debut memoir chronicles her parents’ lives in Iran, their journey to America, and her own coming-of-age.

As the American-born author grew up in New York City, she heard intriguing stories from her immigrant mother, Hana, who married her father when she was just 14 and he was 34. The couple had secretly lived as Jews in the city of Mashhad, where Hana wore the chador in order to pass as Muslim. Upon arriving in the United States, Hana swapped the chador for Oscar de la Renta gowns and her diffidence for unbridled candor, often at the expense of her husband’s pride. However, the author apparently didn’t inherit her mother’s verbosity or sartorial ostentatiousness; instead, Amini struggled to find her voice in a household that didn’t value the education or autonomy of women. This is a memoir of Amini’s extraordinary journey and of her unflappable love for her family, even when their actions threatened to hinder her dreams—particularly her pursuit of a college education. The author deftly unpacks the complexities of her devout and volatile father, who told her, “It is my responsibility as your father to protect you from Americans and not allow you to become one.” But although he was a formidable figure, he’s also shown to have exhibited moments of tenderness when Amini was sick as a child or when she married the love of her life. The author weaves a central theme of concealment and visibility throughout her book with a fine sense of nuance. In a prologue, she asks, “How could I be unseen when seen…could I disappear upon demand?” And toward the end of the memoir, she writes in her journal, “What does it mean to claim me…to make me mine?” She describes how, ultimately, her love of literature, art, and social work allowed her to answer the latter question and finally find her voice. Here, that voice wields a quiet power, examining her world with unflinching curiosity and care.

A moving, engaging investigation of culture and family.

Pub Date: April 21, 2020

ISBN: 978-0-9906194-3-7

Page Count: 310

Publisher: Greenpoint Press

Review Posted Online: June 1, 2020

Kirkus Reviews Issue: July 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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