For readers who like their ancient Irish legends larded with mean girls.
A fiery Irish princess determined to make her own life decisions has trouble keeping her heart, and her men, in line in this overheated sequel to Deception’s Princess (2014).
Glad to be free of her beloved but manipulative father, High King Eochu, at last, Maeve joins a trio of fosterlings in neighboring Dún Beithe, where, along with meeting hunky Kian, son of the local lord, she is reunited with her adored kestrel, Ea. Besides briskly staving off blushing, smitten Kian and the much more aggressive Conchobar, the young king of the Ulaidh, Maeve faces a hard challenge in Bryg, a clever new foster child who nurses a deep grudge against her and orchestrates a campaign of not-so-petty torment. Except for a sojourn to meet Odran, her crush from the previous episode, this vicious little war takes up the story’s heart. Maeve isn’t exactly a model heroine, as she demonstrates by sneaking off to Odran after twice swearing to stay and endure her foster sisters’ bullying and then concocting a lie that she had been stolen by the Fair Folk to cover her absence. Also, as hinted in her uncritical acceptance at the end of scheming Eochu’s gift of part of his kingdom (and acknowledged in the tale’s title), she’s not the brightest bulb. Well, she’s a dab hand at sharp repartee and generally tries to be kind to her social inferiors.
For readers who like their ancient Irish legends larded with mean girls. (pronunciation guide) (Historical fiction. 11-14)Pub Date: April 28, 2015
ISBN: 978-0-449-81867-1
Page Count: 336
Publisher: Random House
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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